In praise of being a fan in private

Fandom

Most of the time, I love my career. I get to review anime, report on fandom, and write about all kinds of interesting topics for a living. But it’s only during episodes of burnout that I realize there are a lot of expectations that come with enjoying your hobbies in public.

For the past five years, I’ve been getting paid to watch anime. Most of the time, this is also something I do for free, minus the 1,000 words worth of weekly review copy. But over the summer, life happened and I felt burnt out for the second time this year. At the peak of it, I was just watching three shows: my two review shows and Gundam Build Divers, so I could edit and post Tom’s Gunpla 101 series on the show. I was, for the first time in my life, treating anime like a job—if I didn’t absolutely have to watch it, I just didn’t.

Oddly enough, I didn’t stop watching TV. It was almost like watching Terrace House occupied a different part of my brain. And if I’m really honest with myself, the difference is that I’d never use it as essay material for Anime News Network, Anime Feminist, or any of the other sites I write for. Sometimes people ask me: does watching anime for work alter your enjoyment of it? If I’m honest with myself, absolutely. Even if I’m watching a show for fun, I never forget about the possibility that it might turn into a review or a personal essay someday.

In February, I had my first burnout episode the year. I have some theories as to why, but long story short, I had very little motivation for work. Somehow, at the same time, I wrote a 10,000-word Yu Yu Hakusho fanfic under a pseudonym. Even writing articles about current anime felt like a chore, but with my fake name fanfiction the words just poured out.

I felt similar in September, after dealing with health issues, moving house, and more. I had difficulty doing anything creative without a strict deadline in place. But at the same time, I also started working on my first cosplay in years. I didn’t tweet about it and I only shared my progress with a few trusted friends. I still think that if I had shared everything about my cosplay up front, I would have chickened out before I actually took pictures or anything.

Both times, I wondered if I was burnt out because I was tired of anime. I do watch a lot of it—anywhere from five to ten shows each season! But now I don’t think that’s what’s wrong. Even during episodes of burnout, I still pursue anime-adjacent hobbies. The difference is the pressure to perform. While I may be a professional reporter and reviewer, I’m an amateur cosplayer and everyone is an amateur fanfic writer, so there’s no need to be great at it.

I just read an opinion piece about this in the New York Times called In Praise of Mediocrity: “When your identity is linked to your hobby — you’re a yogi, a surfer, a rock climber — you’d better be good at it, or else who are you?” Parsing this, I feel like it’s not fandom that is burning me out per se, it’s the demands that come with my public consumption of it.

These days, I try to treat burnout not as a wrench in my schedule, but as a natural part of the creative process. Burnout can be an opportunity to be creative in a way that has nothing to do with work. For example, as October draws to a close, I’m getting revved up to start NaNoWriMo, a creative exercise that I completed for the first time last year. I never shared my novel and I’m sure I never will—at least, not in the version it is in now. But even if I never share it, I’m beginning to realize that wasn’t the point. Writing it was a valuable creative exercise for me. Sure, I’m used to having something to show for my effort, but sometimes that isn’t the end goal. 

Because I want to share my passion for anime with others, there’s always going to be a degree to which my fandom is performative. But I’m beginning to realize that in order to be a happy, healthy creative, it’s OK to not share everything I write or do. 

P.S. If you’d like you can join me on NaNoWriMo as a writing buddy. I won’t be sharing my novel anytime soon, if ever, but you’ll be able to see my word count progress as I go.

Screenshot via Himouto! Umaru-chan, the quintessential anime about enjoying fandom in private.

Five Years of Weekly Anime Streaming Reviews

Anime, Writing

In the summer of 2014, I became an Anime News Network weekly streaming reviewer. I just finished up my reviews for summer 2018 and realized it’s been five years. Interestingly, one of the summer 2014 shows I reviewed was Free! Eternal Summer and one of the summer 2018 shows I reviewed was Free! Dive to the Future.

I started out reviewing three shows every season, though now I usually cover two. My reviews have a minimum 500-word count, though I end up going over that more often than not because it’s easy to get chatty about a half hour of anime. Last year I calculated that I had written about 300,000 words of reviews in four years and that’s probably close to 380,000 now.

Unlike other work, each write-up is simple enough that I rarely take time off for them. I’ve written my weekly streaming review between panels at Anime Boston and in a hotel room over the Shinjuku skyline. I’ve tested the extent of internet connections everywhere. I watched an episode of Mobile Suit Gundam: Iron-Blooded Orphans from John’s grandmother’s house in rural West Virginia in three-minute spurts between buffering (not my favorite viewing format). Another time, at a friend’s forest-enclosed lake house, everyone else agreed to log off their various devices so I could throttle the connection with Luck & Logic.

After my first reviewing season, I wrote up some takeaways about the art and craft of anime criticism. Reading that same post now, all I can think is that I was spending too much time in the comments section, checking out how other people were critiquing my critiques. At the time, I thought the only way to be fair was to write while predicting the comments my reviews would get, but that just made my reviews too cautious. I would read what other fans thought about the show in the forums and try to deliver the median opinion, but it wasn’t genuine. Now I realize people come for my opinion on a show, which gets more nuanced the more experience I get. Five years means I have reviewed 20 seasons of anime, which amounts to a lot of practice!

Ultimately, the main thing I’ve learned is that so much of the anime we watch each season is forgettable. In those 20 seasons, I’ve reviewed something like 40 shows (because of double cours and multiple seasons, otherwise it’d be a lot more), and how many of them do I even recall? Some stick out as winners I’ll inevitably watch again, like Land of the Lustrous and Ushio and Tora. But most of them, I struggle to remember clearly. Remember Clean Freak! Aoyama-kun? What about Gunslinger Stratos? I barely remember Denki-Gai, but the ANN website informs me that I’ve written 6,000 words on the subject.

With five years on the books, I’m not planning on slowing down. I’ve already begun my Fall 2018 reviews for Run With The Wind and Tsurune. While 2018 has been kind of a bust for me as a fandom writer, as health and other personal issues have slowed me down a bunch, anime reviews keep me grounded in a routine while contributing to the conversation. Thanks to so many of you for reading my reviews of shows great, awful, and middling, and I’ll see you around for the next five years at least, if ANN will continue to have me.

(Screenshot from Tsurune.) 

How cosplay helped me find my confidence again

Fandom
Styling a wig in my kitchen. This thing is 50% hairspray.

2018 is the year my body betrayed me. I’ve had some health problems, lost hair, lost weight. After a lifetime of clear skin, I’ve had acne so bad I sometimes dread leaving the house.

My recurring feeling in 2018 has been that I’ve wanted to put things off until I look like myself again. Until I feel like myself again. But of course, that’s impossible. So I got better at makeup and arranging my hair around bald spots and did the things I signed up to do. I went to Japan, spoke at the Japan America Society, gave panels at AnimeNEXT and Otakon. I retouched photos or didn’t take any, trying to just forget about the way I look.

I’m focusing on just physical symptoms, but I also have been dealing with insomnia, anxiety, and (obvious to blog readers) a lack of motivation. One of the things that has brought me a lot of joy this year though, is the Danganronpa franchise, and more specifically, exchanging lengthy email chains full of theories about it with my friends.

Having played them all now, my favorite character is Kokichi Oma, the deceptively childlike liar-manipulator from the third game. (Please don’t google him if you’re planning on playing; here’s a spoiler-free picture.) Kokichi is a trickster who makes enemies quickly, but what’s incredible to me is that he doesn’t seem to care if people hate him (and they certainly do). It made me realize my concerns about how I look, how I act, and what I do or don’t write all come from an overabundance of worry about what other people think of me. For once, I’d like to be someone who doesn’t care about things like that.

One day, while looking up the character on the game wiki, I noticed that Kokichi’s physical measurements almost exactly matched my own. While I definitely don’t believe you need to look like a character to cosplay as them, it made me think for the first time that maybe this body I’ve grown to dislike so much could give me an advantage. I don’t like myself much right now, but I like Kokichi, and if I could be him, maybe I could like myself a little more. And so, even though it’s been ten years since I last cosplayed, I decided to give it a try.

Did you know that with contouring makeup and medical tape, you can change the shape of your face?

Because I wrote a book about cosplay, I knew that you can put as much or as little work into cosplay as you want. I decided that if I was going to do this, I was going to go all in. I ended up spending a lot of time on cosplay forums. I bought a wig on Amazon and watched YouTube tutorials to style it. In the end, I used heat, hairspray, and hair curlers I made myself to give it Kokichi’s long flips. I shampooed the wig twice while going through this trial and error.

I went to Sephora and nervously asked an understanding makeup artist to help me look like a 2D character. “That’s actually a pretty common request,” he told me. Cosplay really is becoming mainstream. He helped me find a full coverage concealer and later, showed me how to change the shape and color of my eyebrows to an expressive deep purple.

This whole time, I didn’t share my progress on social media. I was still afraid I would chicken out. I’ve spent this entire year trying to ignore my physical appearance, and suddenly I was, ridiculously, doing something that would draw attention to it. But when my purple contacts arrived and I decided to do a wig and makeup test, I was so happy with the results that I decided to share it. For the first time all year, I actually liked the way I looked.

This is eyebrow attempt #1 with wig attempt #2 and no costume yet, so definitely a WIP.

Now I’m getting my cosplay together to debut at Magfest in January. I keep wanting to self-degrade and joke about how I’m pretty old to be doing cosplay, but then I remember I wrote in a book and said on international radio that “anyone can cosplay.” That applies to me, too.

Obviously, cosplay hasn’t made all my problems go away. But it has reminded me that when things suck, our fandom can be healing. I’m not the first person to turn to a fictional character when I’m confronted with my own weaknesses. Chances are you, too, are drawn to certain characters because they seem to possess something you lack. Cosplay is perhaps an unusual way of “borrowing” a character’s confidence, but I’m enjoying it so much.  

Burnout, grief, and the way forward

Fandom

This summer has been difficult.

I’ve been grappling with grief one year after a loss, and the meta-guilt of still being so sad after this much time. I think about her every day. Some days I don’t think about her until I’m falling asleep, when I think, “I haven’t thought about her today yet.” What’s scary is thinking that one day, I might not think about her at all.

I’ve also been dealing with health problems of my own. I’m not ready to share more information right now, but I am aware that I look sick. I am just trying to show up in public, at anime cons and Japanese class and conversation group, while ignoring it. I am trying to focus on the present until I have more information about what my life will be like in the future.

I’ve been living in the liminal space of being moved out of my apartment of the last seven years into a condo that needs a lot of time, effort, and furniture to feel like a home. This is the first place we’ve owned and we are paralyzed by choice. Drilling through the wall is no longer off limits, for example, so we’re carving this place out to better fit our extremely online lives. It’s fun, but it can be exhausting to live in an unfinished space that still needs so much from me.

I’m not sure if it’s just one or all three of these things that have led to my current dilemma: I’ve stopped watching anime for fun. Everything I started this summer, no matter how great it seemed at the beginning, has lost my interest. I’m still watching the shows I need to review (Harukana Receive and Free! -Dive to the Future-). But I have to stop myself from saying that every episode sounds forced or fake or emotionally hollow. Even the most acclaimed shows this season just feel strained to me. I know this isn’t reality; this is burnout.

Anime has always been my escape when times were hard. When I felt burned out about work and studying earlier this year, I watched anime to relax and recharge until I felt like myself again. I didn’t know I could burn out on my favorite thing.

Anyway, this is a big reason I haven’t been posting. I love to write about anime and how it makes me feel as a fan. But it hasn’t been making me feel much of anything lately. So I’m trying to treat it like any other kind of burnout. Don’t feel guilty. Don’t force it. Take a break. (I can’t believe I’m the same blogger who in 2013 wrote the bragging blog title: “Burnout, what burnout? A year in anime consumption.”)

I’ve been running Otaku Journalist for almost nine years now. My writing voice has grown up a lot over that time, and I’ve changed a lot as a person. My periods of productivity have far outnumbered my hiatuses, but it’s a reminder that I’d like to make it easier to crawl my archives in the future. There’s some helpful content here in between the “sorry I haven’t been posting” stuff. That might mean seriously expanding the Start Here page, or running a series of posts collecting different categories of advice over the years. Every time I think, “Where do I want this blog to go?” I always land on the same answer: to help geeks launch their careers.

Thanks for bearing with me. I may still be standing still in 2018, but I have a roadmap planned for when I’m ready to move forward.

My Otakon 2018 Panel Line-Up

Anime, Fandom

When my to-do list is packed, updating this blog is the first thing to go. Over the last few weeks, John and I bought a condo and moved in—a life-changing event that was not made much easier by our old apartment and our new place being located just a block apart.

At the same time, it’s been a client-heavy July for me. Since I don’t make the same amount of money every month, I rely on the busy times to make up the difference. For that reason, I didn’t say no to a single assignment in July even though I was in the middle of a move!

Additionally, I have a four-legged houseguest coworking with me this week. For timely updates on this developing story, check Twitter.

Even though I still have Gunpla models to unpack, I’ve moved on to using my free time on polishing my Otakon panels. I’m planning to write a tutorial about how I research and technically create panels in the future. But for now, if you want to see what I do, you’ll have to come to one of my panels! Here are the panels I’ll be giving at Otakon 2018:

Patlabor, the Other Great Mecha Franchise You’ve Never Heard Of

Friday, 5 PM – 6 PM

It ain’t Gundam, but this mold-breaking mecha show is credited as the inspiration behind Pacific Rim. On the heels of an announcement about a brand new addition to the Patlabor franchise, we’re revisiting Studio Headgear’s original masterpiece. We’ll be sharing plenty of clips from this part-comedy sitcom, part-robot action show, so get ready to party like it’s 1989!

The title sounds hyperbolic but comes from my partially evidence-based belief that even as I get older and keep going to cons, the average anime convention attendee remains fairly young. While it can be hard to find these stats, I know that at Anime USA the median age is around 19. This younger group is the demographic that I’d like to introduce to Patlabor with this panel.

That said, I’m presenting this panel with John and Tom Aznable, and Tom in particular is an expert on the franchise. So while this will be beginner-friendly, it won’t be without depth. Even if you’re a Patlabor fan already, you will learn something new—I did, during our research!

39 Years of Gundam Anime

Saturday, 12:15 AM to 1:15 AM

Haven’t watched all 39 years of Gundam yet? Do you feel overwhelmed and not know where to start? Join us as Gunpla 101 covers the best and worst of Gundam-detailing those awesome highlights and unintentionally hilarious lowlights-to get you caught up.

Technically, John and I are hosting this panel in the early hours of Sunday morning. I am not a night person so get ready to see me really amped up on caffeine.

Since the panel is so late, we’ve decided to switch it up with a lot of new additions—more than 10 new video clips in particular. We’re focusing on interesting and strange parts of the Gundam canon to keep people awake late at night. We’re also going to feature a few of Gundam’s racier moments since this is quite literally Gundam after dark.

How Gundam Became an Art Form

Sunday, 9 AM to 10 AM

As it nears its fourth decade, the Mobile Suit Gundam franchise has become more than just an anime series. It’s now a cultural phenomenon. We’ll take a look at some fascinating ways it has influenced things from art museum exhibits to clothing lines and many more areas, some that might surprise you!

I’m working on this with John, Tom Aznable, and Doug Wilder, and I feel a little like the kid who coasts during the group project and expects to get an A based on everyone else’s work. I’m really lucky to be part of this fascinating, extremely well-researched panel. Some of the Gundam art, exhibits, and product tie-ins that we’re showcasing were completely new to me.

Between the late Saturday panel and this early Sunday one, I sort of lost the panel time lottery. But based on what I’ve already seen behind the scenes, this will be worth the early wake-up call.