How anxiety and depression affect your writing career

Journalism

anxiety-depression-writing

About three years ago, I was riding the metro when it hit me—a lump in my throat; fluttering heartbeat; difficult, irregular breath.

John noticed immediately. “Are you OK?” he asked.

“Just hold my hand,” I managed, reaching for his. Mine was trembling.

Medically, there wasn’t anything wrong with me during this episode. I was having what anxiety sufferers call a panic attack, a sudden and intense episode of distress.

Ever since I was very young, I’ve struggled with anxiety and depression. Something like a bad test grade could overwhelm me, bringing each of my perceived failures to the surface of my consciousness, as raw and painful as if they’d just occurred. It could lead to a panic attack, or simply days or weeks where I felt like I was going through the motions, totally numb.

I got my anxiety and depression under control when I began treating my Cognitive Behavioral Therapy sessions like lectures. For a while I completely forgot about my diagnosis, until I started freelancing on my own three years ago, when it came back in full force.

As mental illnesses, anxiety and depression are deeply stigmatized. Sufferers and even former sufferers, like me, don’t often talk about it. If you don’t already believe it, I’m not going to be the one to convince you that these are real disorders caused by a chemical imbalance in the brain. And when you’re trying to start a career for yourself as a writer, these high-running emotions can be devastating and have very real effects on your work and life.

Though nothing will ever completely remove that chemical imbalance, I call myself a former sufferer because anxiety and depression do not affect the way I live my life. However, I know very well what it feels like when they do, and if you find yourself in that dark place, let me validate that what you’re feeling is very real.

Here are some suggestions for dealing with mental illness, from one writer to another.

You are not a problem. But you need tools to solve your problems.

When my doctor told me and my parents that I needed to find a therapist to help me work through my depression, I felt like the world’s biggest failure. Enrolling in therapy meant I was the problem. I was not very smart.

It wasn’t until college that I realized that therapy wasn’t about fixing me, it was about offering solutions to the problems around me. I started bringing a notebook with me to take notes, draw diagrams, and draft emotional “scripts” I could follow in stressful situations. Many of these scripts have become almost reflexive. When I feel overwhelmed, I write a to-do list and then rank it by urgency. When I am anxious about a problem, I write a list of possible solutions. After my panic attack, I began taking a journal on the metro and writing lists to stay calm. Yes, all my coping mechanisms involve writing lists, but this is advice for writers I’m giving here.

You are not broken. You do not need fixing. But your problems absolutely do. Think of therapy or doctor-prescribed medication as tools in your arsenal toward combatting depression.

You can’t write from too high or too low.

One of my favorite pieces of advice about writing comes from Cheryl Strayed. In response to a writer who felt alternately full of herself and guilty, Strayed wrote:

“You’re up too high and down too low. Neither is the place where we get any work done. We get the work done on the ground level.”

Depression can be like a domino stack. One setback feels like a million, like if you get one article rejected you’re never going to find work again. Writing while feeling this way is going to lead to work tinged by your own self-doubt, if you manage to write anything at all.

It’s funny how we think the best writers are depressed, because I’ve never managed to get anything done during a depressive episode. Give yourself the time and space you need to write from a neutral emotional level.

Life first, work second.

Which brings me to this—your work is going to suck if you haven’t been taking care of yourself. You need to build a life around your work, not the other way around.

Probably that means a morning routine where you get up and dressed at a reasonable time, eat something, go to your workspace, even if you work from home. Maybe that means doing something to move your body every day, if being active is what balances your brain chemicals (I find it works for me). Maybe that means leaving the house and spending time with friends.

When I had my last panic attack, I was working all the time. I did not leave my house often. Other than watching TV, I did not have hobbies. Now, I make sure to go on a walk or run every day. I signed up for a class and joined a club so I could see more people in a week than my husband and the grocery store cashier. Usually, I forget that I’m living with depression until a mental health awareness effort comes up, which is thankfully more and more often.

You are not your illness.

Why is it OK to label yourself a depressed person, when depressive episodes are temporary? It’s like labeling yourself a broken-legged person. While depression and anxiety can feel terminal, do not use them to define yourself.

I used to think I might “lose” part of myself if I ever stopped feeling depressed. Maybe my writing ability would go first (all writers are depressed, aren’t they?) or my sense of humor. But surprise, I did not become some kind of plastic unfeeling robot just because I began employing coping mechanisms that made me stop feeling miserable all the time.

You are awesome. I know this, because you’re reading my blog. You are a writer brimming with novels and essays and articles and reviews. And no matter what your anxiety or depression is telling you, your ideas are great. Put them out into the world like they deserve.

Photo by Ryan Melaugh

Otaku Links: Manga on the mind

Uncategorized

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  • Manga and the autistic mind. One author suggests manga as a teaching tool for students on the spectrum, who may be better at processing images than words.
  • I was on the Freelance Game Podcast! Be awed by my surprisingly manly voice and overly honest approach to a freelance routine. I’m already friends with Nathan so it was easier than usual to be candid.
  • Ben and his wife watch anime together and have very different opinions! I love his Watched With My Wife series for his articulate writing and wry tag team review style.
  • Anyone can self publish, and my friend Tamara is proof with her new book, Welcome to Monsterville. Now she’s looking for an editor to look it over in exchange for a copy. If you’re learning to be a book editor but not ready to charge yet, this might be a good opportunity.

Photo by Justin Doub

You are the only male character in ‘Love Live’

Anime, Fandom

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Yup, even if you’re not male. Bear with me for a moment.

All this talk about the Love Live movie premiere made me decide to finally sit down and watch Love Live: School Idol Project.* Annnnd I finished it about 48 hours later. It’s a great guilty pleasure show with a quick pace, little depth, and lots of emotional bonding. It’s about nine girls who aspire to be idols, pop stars revered for their cuteness, energy, and dedication. If they want to make a great sports anime about girls, they should look to Love Live for inspiration.

There was just one thing that was a bit odd about Love Live. Every character with a speaking role was a woman! (Nico’s adorable baby brother is the exception that proves the rule.) The only adult man in the show, Honoka’s dad, is shown only partially. It’s clearly a very intentional decision on the creators’ part to keep men’s involvement to a minimum.

Now I’m used to shows that pander to people who like guys or people who like girls, and I know that’s what Love Live is trying to do here. But there was something artificial about it. Take Free!, which certainly attempt to pander to the viewer with touchy-feely bonding, yet still includes major female characters. So on Monday, I tweeted, “It’s strange how Free!’s female characters are Very Important, but Love Live doesn’t show men at all. Are male viewers threatened?

Click the link to see the enormous discussion that exploded from there. I love Anitwitter because everyone is always down to chat about anime (though it’s not always great for my productivity). The majority consensus seemed to be that idol culture in Japan is about female “purity” from romantic involvement with men, and that mindset has leaked into this idol-themed anime.

Can you imagine if Taylor Swift had to sign a contract with her label stating that she wouldn’t date anybody? (What would she even write songs about then?) As bizarre as this would be, it’s totally commonplace among Japanese idols, who are marketed as bikini-clad sex symbols, but face medieval consequences for such transgressions as having a boyfriend. Perhaps you remember the Minami Minegishi “scandal,” when the 22-year-old idol was discovered to have a boyfriend and shaved her head in contrition. And yet, these extreme attempts to convey idols’ sexual availability still aren’t enough—last year at an idol autograph event, a 24-year-old man brought a chainsaw and slashed two idols’ faces, hospitalizing them. At trial, he revealed jealousy as his motivation. Jealous of whom? These girls aren’t even allowed to date!

On Monday, a gross new article came out illustrating that despite these past events, draconian idol culture hasn’t budged. A 17-year-old idol who was sued by her talent agency for having a boyfriend lost her countersuit. The judge sided with the agency, stating, “In order to obtain the support of male fans, the contract clause regarding a dating ban was necessary.” Ugh! This girl can’t live her life all so some pathetic superfans can fantasize that they have a chance.

We, the viewers, are the men of Love Live. There are no male characters so we don’t have to worry about “competition.” Joke’s on them though, because this is the Bechdel Test in overdrive. And even if they have zero male romantic options, I just ship them with each other—and I’m certain I’m not the only one. Tell me you don’t see the chemistry!

Have you watched Love Live? What did you think?

*As usual, email me if you want a Crunchyroll Premium pass!


This post originally ran as my weekly newsletter. If you subscribed to my newsletter, you would have been able to read this post ten hours ago. Your call. 

Your niche writer challenge: small topic, big audience

Fandom, Journalism

audience

Here are two seemingly unrelated anecdotes about news features:

  1. The Arizona Republic sent a befuddled film critic to watch and review the Love Live movie. The critic responded by reviewing the moe hit poorly, noting he was very confused. Some anime fans complained that the critic didn’t have the necessary context to review the film properly and his opinion shouldn’t be taken seriously.
  2. I wrote a feature for Anime News Network about building Gundam models. It was my most basic tutorial yet, designed for people who have watched Gundam anime but know nothing about building models. Despite stating this in the article, I still received several comments critiquing the narrowness of the piece, observing that it didn’t cover panel lining, painting, or any other more advanced model building concepts.

In both of these cases, the critics had some good points except for one little consideration: neither of these articles was written for the critics. Both news articles were directed at a narrower audience than the one they got, and received a divided reception because of it.

If you’re on my blog, chances are you’re either a writer or reader of niche reporting: journalism about and aimed at a pretty specific smaller audience. We like niche reporting because more general news can be tone deaf or even ignorant when addressing our favored niche. What we neglect to realize, however, is that not everything that is written about our favorite topic is written with us in mind. Sometimes it’s the opposite.

Just because the film critic wrote about Love Live doesn’t mean he was writing for an audience of Love Live fans. The critic made it pretty clear that fans would find it “possibly enjoyable,” unlike himself. As anime critic Mike Toole observed, the critic’s expression of confusion made it a helpful review for non-anime fans. His review was perfect for non-anime fans, indicating that this niche audience film isn’t going to be a fun time if you don’t already love anime.

The same thing goes for my beginner Gundam modeling tutorial. If you already know how to build Gunpla, this article may be about a topic you enjoy and like to read about most of the time, but in this case it doesn’t tell you anything new. Tutorials are tough because if you already know how to do the thing the article is teaching, it’s hard to provide additional value. Perhaps I could have encouraged experienced builders to share it with people they want to get into the hobby.

Last month, I wrote about the biggest mistake geek writers make, which is going too far into the weeds so newcomers to the niche have no idea what you’re talking about. These articles risk the opposite problem—writing so generally that the article alienates people already in the know.

There is a world of difference between an article written about your niche, and an article written for your niche. However, I don’t think the burden to differentiate lies on the reader. Ideally, it’s up to writers to ensure that niche articles strike a balance. Articles shouldn’t gate keep or prevent the casually interested from understanding the subject, but they also shouldn’t talk down to people who are already well immersed in the niche. Easier said than done.

If you stick with the freelance writing thing, you may find that this is the quandary that plagues you for the rest of your career. But here are some of my tips for getting closer to perfect:

Ditch the terminology

You may notice that I almost always refer to anime in the title of an article as “Japanese cartoons.” Why? It’s a million times more accessible to outsiders. As much as I realize that my core audience may find this term a bit inaccurate, I do get paid by the hit and truth be told, the stories with “Japanese cartoons” in the title get LOADS more hits. So what’s better—using insider terminology, or welcoming newcomers? I’ve made my decision.

Don’t just scratch the surface

Once you ditch the insider lingo, you’ll find it’s not hard to explain any concept, from waifu culture to an explanation of the Dark Web you could give to your parents. I challenge you, one writer to another, to practice explaining your most obscure hobby in a way anybody could understand. Don’t just blandly summarize—that does a disservice both to existing fans and outsiders, who will find it equally boring. Dive into the complexities that convey exactly why your community is so passionate about it and you’ve got yourself a story.

Remember: everyone’s a potential fan

We all start somewhere. Just because a reader doesn’t know the difference between “manga” and “graphic novel” doesn’t mean that the right introductory article might unlock a rewarding new comic-reading hobby for them. Even the biggest insiders in your niche aren’t omnipotent. Gamers haven’t played every video game; anime fans who use tsundere fluently may have never heard the term hikikomori. When you write generally, it’s not that you’re talking down to your existing audience—you’re creating more instructive journalism for them as well.

In closing, I’d love to know if you’ve seen examples of this kind of journalism in the wild. What are your favorite articles written about niche topics? Do they use any of these techniques to be successful?

I’ll start:

Photo by Martin Fisch

Otaku Links: Panels and Panel Lining

Otaku Links

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  • It takes a lot of work to run an anime convention, and a lot can go wrong. This story on Anime Matsuri should be required reading for convention runners about what not to do.
  • In other news, I spent a month reaching out to anime cons to figure out gender demographics. The main thing I learned is that these are really hard to find. Not everybody conducts them, and those who do haven’t been doing them for very long. In the future, I’d like to do a comparison infographic indicating how gender demographics have changed over time.
  • On the note of plugging my own articles, here’s a really basic tutorial for building Gundam models, even more basic than anything I’ve written on Gunpla 101. For example, this one doesn’t even get into panel lining! I plan to write many more Anime News Network features in the future! Anything you’d like to see me write about?
  • Dispirited but not defeated—one freelancer outlines the lengths she has had to go in order to get paid. It’s frustrating but true that you spend a lot of your time as a freelancer trying to get paid.
  • There Are No More Good Panels at Anime Conventions. Alain of Reverse Thieves discusses today’s fan discontent with the panel selection at cons. Which reminds me, I should sign up to offer more convention panels on otaku journalism and Gunpla topics.
  • Just for fun: Quality Anime. We love anime because it’s cheap and weird. Here are some of the Easter Eggs you may have missed.

Photo via Mitake, a Harajuku street snap model