I quit Twitter for a week. Here’s what happened.

Journalism

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I quit Twitter and, as I promised on Saturday, I’m here to tell you all about it.

The one thing is, you’ll have to read about it on Forbes, if that’s OK. When my Forbes editor got wind of my experiment, she thought it’d fit perfectly in the tech and self-improvement section.

Quitting Twitter was extremely difficult for me. I had no idea how much I’d allowed it to become a part of my routine and social life. I was an early adopter, though you wouldn’t know it by my odd handle, @laureninspace. Though @laurenorsini was available, I was still in that mindset that you needed a quirky moniker for Internet sites, never guessing that Twitter would get as big as it did.

In the seven years I’ve been using it, it has become not only my news gathering and networking tool, but a performance platform where I try to entertain and make jokes and otherwise validate my existence. Somewhere along the way, I forgot how to eat a meal without taking a picture of it first. That’s what this week away was about—re-discovering the state of my analog life.

Would you dare to quit Twitter, even for a day or two?

Read my article on Forbes

Watch my webinar replay until midnight!

Careers

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My webinar with Steven Savage went down this Sunday morning and I think it went great! Thanks to everyone who showed up; it wouldn’t have been as good without all of your questions.

If you couldn’t make it for any reason, good news: we have a webinar replay up until Monday at midnight Eastern Time. At an hour and ten minutes runtime, Steven and I got through quite a bit of advice. We gave attendees a free worksheet PDF to use for note-taking, which I’m making available to everyone now:

Get the worksheet

Also, for the first time, Steven and I are offering our complete combined oeuvre of geek career advice in one heavily discounted bundle. Get our nine books in multiple formats (23 files total) for just $40. It’s certainly the cheapest we’ll ever offer them for. But hurry—the bundle is only available as long as the webinar replay is, until midnight tonight.

Get the bundle

I can’t stress how important it is to have mentors in your geeky career. When I saw Steven doing with his life what I wanted to do with mine, it made it clear to me that it was possible. Even during this webinar, I was still learning new things from him.

One more thing—I previously mentioned that I’d be announcing a new course during this webinar. I didn’t. I’m going to keep working on it until I have something really good to share. As always, if you have any feedback about what you’d like to learn from my next course, it’s very welcome.

Webinar Imminent!

Uncategorized

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OK, there aren’t actually any Otaku Links this week. I don’t have very many because on Wednesday, I quit Twitter. (And yes, there will be an entire post on that next week!)

For now, I’ve just been prepping for my Sunday webinar with Steven Savage. I’m using Leadpages, Chatango, and Google Hangouts On Air and they all require a bit of legwork. But I’m excited for the educational opportunities—both to share my geek career experience and advice at the webinar, and to explain the tech behind how to give a similar webinar of your own.

I’m pumped for an opportunity to answer direct questions about how I got to where I am today and my techniques for how other people can recreate what I did without all the trial + error, just the parts that actually worked. If you haven’t already signed up, there’s still time! We hope to see you there.

Sign up now!

Why I tell beginning writers to work for exposure

Careers, Journalism

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Last week, geek hero Wil Wheaton made a wonderful point about payment vs. exposure. The Huffington Post contacted Wheaton in order to re-publish one of his posts for free. Instead, the site offered “exposure,” like a famous actor would need something like that.

I’m glad that Wheaton’s experience has brought this important reminder to creatives everywhere—you are never, ever obligated to give away your work for free.

That said, Wheaton’s post also acknowledged that unpaid exposure can be valuable to some writers: “If I’d offered this to Huffington Post for nothing, because I hoped they’d publish it, that would be an entirely different thing, because it was my choice,” he added.

I want to tell you about the times I have chosen to work for free.

I got my start as a professional anime blogger by writing for free. I staffed at Japanator in 2010 where I wrote anime reviews and Japanese pop culture stories in exchange for exposure. That same year, I interned at Kotaku and wrote about video games. I got some school credit for my trouble, but the most important part, honestly, was the exposure. The last time I wrote for free was In 2012, when I pitched a story about Homestuck to CNN. Even though I worked at the Daily Dot and regularly got paid for my writing, it wasn’t worth it to CNN—too many people wanted their name associated with a big site like that. Judge me if you like, but I accepted anyway, and wrote what is perhaps the most widely-read article I’ve ever written.

Today I wouldn’t dream of writing “for exposure.” Now that there are places willing to pay me for my anime stories, like Anime News Network and Forbes, I don’t value it anymore. Even Otaku Journalist gets 30,000 unique visitors a month—more reach than some places I once wrote for to get my name out there. But five years ago, when the only commenter on Otaku Journalist was John, and nobody in the anime blogging world had heard of Lauren Orsini, exposure was something that motivated me as much as monetary compensation motivates me today.

As your writing career grows, you will need to constantly be weighing your values the way Wil did. In the beginning, as it was for me, exposure was worth it. It was worth so much to me that I treated my chance to attract a larger audience as seriously as if it were my job. It’s this, not talent or anything like that, that made it possible for me to work as a professional today. Nobody would hire me with zero experience. My unpaid clips led to paying work.

It’s easy to feel resentful about working for exposure. But nobody is making you do it—it’s simply what worked for me. I wholeheartedly agree that if you’re a talented writer who puts a lot of effort into improving your skills, writing for exposure IS beneath you, but that’s the indignity of starting a niche writing career, especially in a niche like anime where there are very few ways to get noticed other than writing for free.

You should never think of unpaid writing as the end goal, but as a stepping stone toward better opportunities. Treat it like a job as long as the job benefits you. As long as exposure is valuable to you, stay. I recommend staying for up to six months to build up clips and learn the ropes of working with an editor, but no longer than that, and one-time essays are even better. Furthermore, be sure you really are gaining exposure! If you’re putting your posts up on some no-name blog and nobody reads them, it’s time to try a larger site. I recommend Anime Talk Amongst Yourselves, The Artifice, Yattatachi, and of course, Japanator. That said, always go by your own terms. If it leaves a bad taste in your mouth to write for free for somebody else, start your own blog and promote the hell out of it on social media.

When it’s time to go, ask for a recommendation from your editor (which they should be thrilled to provide in return for your professionalism), and add your clips to your portfolio. Don’t ever feel guilty about leaving—editorial blogs that aren’t paying contributors were lucky to have you providing any content at all, and they know it.

While Wil Wheaton certainly doesn’t need to get his name out there, beginning bloggers do. There will be a time when exposure doesn’t matter to you. But as long as you’re getting something you value in return, even if that’s not money, treat it like a job.


P.S. Building up a writing portfolio takes time. Want some advice on how to build a geek career that earns money now? Attend my webinar with Steven Savage this Sunday.

Sign up now!

Photo by Pete O’Shea

Otaku Links: These are your Otaku Links

Otaku Links

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  • From SteveHow to Write About Japan. Just in time for NaNoWriMo, a scathing critique of the way writers sometimes fall into tropes that exoticize and stereotype Japan while underserving their readers.
  • From Bill: Come to your terms. This is a little about programming and a lot about cognitive behavioral therapy—a great read for anyone who struggles with anxiety. It’s especially relevant to me right now because I’m teaching myself jQuery and second-guessing every moment of it.
  • From JoeJapan urged to ban manga child abuse images. The UN wants Japan to ban cartoon child porn, but some Japanese artists see this as a slippery slope that would curb free speech. We can all agree that child porn is bad, but I also see where those artists are coming from.
  • From Steven and I: Did you hear we’re holding a free webinar for geek careerists? I’m extremely excited about it. We’ve got 40 sign-ups and counting, but space is limited, so register now!

Photo via Alamy, the Guardian