How not to be a journalist, illustrated by Cute High Earth Defense Club LOVE!

Anime

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In their quest to seek out the truth, journalists often have different motivations than the people around them, and are seen as nosy and meddlesome. When they’re portrayed in anime, they are typically wildcard characters, always primed to upset the status quo.

As a journalist myself, I love seeing journalist characters in anime, so I loved last week’s Cute High Earth Defense Club LOVE!, which introduced one as a villain. This lighthearted show depicted Kinosaki as a pretty incompetent reporter, and his manner and carriage as a journalist makes a great master list of things a real journalist ought to never do.

press2 His introduction was neither here nor there. Kinosaki notes that the Press Society publishes their articles online, much to the main characters’ surprise. This isn’t just a commentary on the modernization of news, but on the democratization of it. Now that anyone can put news online as a blogger, readers have to work harder to determine the accuracy of the news they read. Japan has one of the highest print readerships in the world, and this detail that Kinosaki’s work isn’t in print might work against the perceived legitimacy of his reporting.

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“…But to root out the truth and convey it in elaborate, minute detail… I believe that is our mission.” This uncomfortable comment touches the core of everything people don’t like about journalists, and why they make such great villains. Kinosaki sees the truth as something that people are hiding from him, something that has to be extracted by force.

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“Consent? Who gave it?” our heroes exclaim. Kinosaki replies that the club thought that his story sounded like a good idea, and he interpreted it as consent. This is actually a really sensitive struggle in journalism—when does public interest outweigh a citizen’s privacy? Obviously, Kinosaki doesn’t care about the Defense Club’s privacy.

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It’s interesting he uses a computer term instead of saying “readers.” To an extent, this is true, which is why it’s difficult to tell if a story will go viral or not. However, even if readers would find it interesting to read about something, journalists also have a duty to their sources (especially when they are private citizens) to portray them accurately and with their consent.

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Kind of a crazy claim to make in this situation. Japan enjoys a free press but obviously, you’d claim that it in order to write critical articles that powerful people or companies would rather have censored, not to bully private citizens.

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Yeah, you don’t want to ambush people. This is a paparazzi tactic.

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This is what we’d call a leading question, one that “subtly prompts the respondent to answer in a particular way. Leading questions are generally undesirable as they result in false or slanted information.

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It’s important to preserve the spirit of what people say, rather than the letter. it’s why you wouldn’t publish typos in an email statement to the press, or crop somebody’s statement so much that it’s indistinguishable. With audio, you can make it sound like somebody is for anything—my favorite example is when Obama’s speeches were cut to make it sound like he’s singing the Pokémon song.

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“Naked boys? The public needs to know!”

When asked to refrain from taking pictures in the bath, Kinosaki plays dumb, asking if this is a public place or not. Generally, journalists in a nation with a free press are said to have access to any place citizens have access to. Obviously here, citizen’s privacy clearly outweighs public interest!

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Another clear example of overreach. Also, what kind of technology do these high school students have at their disposal?

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Well, two can play this game apparently!

Have you ever seen your profession exaggerated or misconstrued in an anime to hilarious results? I’d love to hear what teachers think of Assassination Classroom, waitstaff think of Working!!, bartenders think of Death Parade, etc.


Otaku Links: Liquid Triforce

Otaku Links

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Links are coming a little late today because I was up until midnight working on a massive freelance project nearly every night for a week. Now to fly to San Francisco to check out my recently acquired place of employment! But in the meantime, let’s have some links.

  • Also I got to interview Genshiken creator Shimoku Kio! More accurately, I wrote questions for a fluent Japanese speaker to ask Shimoku Kio. Just another reason to keep up my Japanese studies.
  • This latest review of my book, Otaku Journalism, comes from aspiring journalist Adriano Jones. I liked this line: “The result is an approachable, fun reading experience which is informative and encouraging, without attempting to dodge or sugarcoat any potential hitches involved with the job.”

Whisky label by Kevin Bolk. You can bet I bought one at Magfest!


Gunpla 101: A tutorial, an interview, and more

Figures and Toys

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Gunpla 101 is such a weird business. It makes money even though I don’t technically sell any products. That’s because I use a system called affiliate marketing, which sounds a lot sleazier than how it works for me—it ensures my job is to write meaningful, interesting posts and leave the salesmanship to my affiliate partner, Amazon. This is the most independent means I’ve found for making money as a writer.

I wanted to share my latest update here since it’s an accurate cross section about how a business like that works, in case you’re interested in doing something similar.

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Dry Transfer Decals 101

Whenever I paint my nails, John knows I’m getting ready to photograph a new tutorial. This one is on applying rub-on decals, but I am especially happy with how the macro photography turned out.

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A Q&A With Ashe Blitzen, Gunpla Modeler Extraordinaire

Even before I knew who Ashe Blitzen was, I’d seen her custom models all over Tumblr. In this interview, we talk about her design and build process, her favorite Gundam characters, and more.

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Gunpla Pre-orders and New Releases for January 2015

This is the most “affiliate market-y” of the bunch, but I’m trying to put reader benefit first. “It’s only an ad if it’s useless” and all that. Either way, this one backfired because I spent as much money buying products from the list as I’ll probably earn.

Another thing I’m doing to take this business more seriously: putting up a Facebook page and Twitter account for it. Feel free to follow if that’s your kind of thing.

As I’ve said before, I am really interested in sharing advice about income streams for bloggers and writers, and what I’ve learned about them from my Gunpla blog. If you have a question, leave a comment or visit my Ask.fm.


Otaku Links: Winds of change

Otaku Links

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  • Patrick Macias teamed up with artist Hiroyuki Takahashi to create Crunchyroll’s first exclusive original webcomic, HYPERSONIC music club. The art is stunning and I’m glad this will be free for all users, not just premium members.
  • Got 30 minutes? Use it to learn 200 popular phrases in anime and manga. This slideshow includes both hiragana and romanji so you’re set no matter what level of Japanese mastery you’re at.

Illustration by Viktor Titov for Wizards of the Coast


Want to write a helpful anime review? Answer these 7 questions first.

Anime, Writing

It’s been six months since I became a regular weekly streaming reviewer at Anime News Network. Since August, I’ve written three episode reviews nearly every week, or about 70 episode reviews total!

Since I’m reviewing shows the day they come out, I don’t have a lot of time to evaluate the episode. Instead, I’ve come up with shortcuts to the kind of critical thinking necessary for reviewing media. Before I sit down to write, I ask myself questions that I think leads to the most useful reviews that people actually want to read.

These are the questions I use, and that I hope you’ll find helpful, too:

1. If you had to assign a grade to this show, what would it be?

Usually this is the first step I take in the review process. I go with my gut, and then try to explain all the reasons I felt compelled to give it that grade. You don’t have to put the grade on your review at the end, but it helps to keep it in mind while you’re writing.

2. What is the overarching theme?

Think of it this way: how would you describe what this show is about in one sentence? This is your opinion, and it will be the thesis statement of your entire review. For example, the thesis of my Mononoke review was that people are more terrifying than monsters.

3. Does it have a compelling story? Why or why not?

Did this show keep your attention? How did it accomplish this (or not)? Quick (or slow) pacing, relatable (or wooden) characters, and an interesting (or boring) plot may have contributed. Be careful that when you’re discussing the story, you don’t give the whole thing away!

4. How does this show use animation?

What was the cinematography like? Does it look computer animated or hand drawn? Were there any quirks of the camera angle or movement? For example, did it focus on one character’s perspective, zoom in or out, or jump cut from scene to scene?

5. How does this show use sound?

Was there a heavy musical score, or were there frequent silent spaces behind the dialogue? How did the music set the tone? Did any of the voice actors stand out as having an unusual vocal pattern, or a powerful emotional delivery?

6. Does this show remind you of another show?

The human brain is wired to make connections. I think it’s helpful to say, “You might like this if you liked X or Y because…” and then explain what they have in common.

7. How did this show make you feel and why?

When the credits rolled, were you left with a lingering feeling of happiness or sadness? Were you anxious due to a cliffhanger? Frustrated by an unanswered question? Some critics say emotions are unhelpful, but it’s really “I feel” statements that are unhelpful. In reality, emotions lend power to reviews when you can back them up with evidence from the show.

Interested in seeing some real life examples of how I use these questions? Check out my latest Anime News Network reviews:

Background photo by Daniel