Your embarrassing former self

Writing

embarrssing-former-self

Last week, my betta fish died. This was a downer not only because Elliot was a cute and reliable pet, but because the way he died—overheating in the Virginia summer—should not have happened. Last year, I co-authored a book about DIYing a “smart” fish tank that relies on a Raspberry Pi and text-messaging to alert the owner when the tank is too hot or too cold. I literally invented this device and yet, this summer, I didn’t have it turned on.

Elliot’s death wasn’t just tragic; it was frankly embarrassing.

However, as a person who lives my life in public—as a writer and blogger—I’ve slowly gotten used to the fact that my embarrassments are public, too. (Though luckily, they don’t usually involve a death count.) My books and blog posts are always coming back to haunt me.

The main source of my embarrassment is this: I can’t read something I wrote more than two years ago without cringing. I can’t focus on the content, instead getting distracted by all the ways I would improve on past Lauren’s clunky wording.

At their best, my old blog posts needs a good editor, preferably the me of today. At their worst, they’re just plain offensive. I once referenced transgender people with a slur. (A lot of people give Tumblr teens a hard time for being overly PC and I get it, I’ve been mocked for cooking Japanese food in my own kitchen, but I wish something like Tumblr had existed when I was a teen to remind me that people who aren’t me exist and deserve respect.) It gives me shivers to notice the subtly sexist wording in a post about my first Gunpla, “begging my boyfriend to buy me one” probably because that sounded like wording in a magazine, even though I had a good job and was perfectly capable of buying my own merch.

When people want to insult me online, they retort to calling me fat and ugly. But if they really wanted to get under my skin, they could try dissecting my old writing. “Her syntax is a mess!” “This run-on sentence is criminal!” Not to give anyone any ideas. After all, the troll inside my head is already doing this.

Still, there’s no running away from my embarrassing former self. My writing lives forever online, which means there will always be old pieces for me to over-scrutinize. There’s nothing to do except move past it. Here are my coping mechanisms for you to borrow:

  • It’s OK to revise stuff. Sometimes I look at old posts that are still popular, and realize I’m not sure I even agree with myself anymore. You can dig up an old post and polish it up and re-post that thing. My My Little Monster post is a great candidate for this since it’s still controversial, still one of the top five posts here, and it’s not really how I feel anymore. I’d like to rewrite it while emphasizing it’s OK to like problematic things. Other stuff is sort of dated, for example, my book Otaku Journalism has a poorly-named “Navigating Ethics and Bias” chapter, which features an Internet culture blogger. I wrote this book in early 2014, but in hindsight this is a VERY UNFORTUNATE juxtaposition. I’m sure that if you have an anime blog, you can probably also think of some posts and pieces that could use an update for 2016.
  • Heck, it’s OK to delete stuff. Sometimes stuff isn’t salvageable. Earlier this year, I set more than 200 of my older posts to private because they get barely any traffic and I don’t feel like they represent my views anymore. (Don’t worry, there are still 500+ public posts on this blog, so you won’t run out of stuff to read!) I may revisit these old posts and clean them up like in the first tip, but for now they’re down, and it gives me peace of mind to know nobody is going to stumble on stuff I’m not 100% ready to share anymore. I don’t owe anyone to store my posts in an unchanging, museum-like archive. This is my blog and I can run it however I want.
  • It’s not an excuse not to write. “Why begin writing now if I’m just going to hate it in two years?” is a really unhelpful train of thought. For one thing, if you don’t write now, you won’t have improved enough by the end of two years to see any difference. You’d stagnate, and worse, you wouldn’t be sharing your potentially great stuff with the world.
  • Don’t let your inner (or outer) critics win. I put up a somewhat viral tweet defending an awesome feminist writer recently, and have gotten a bunch of crap on Twitter about it. The day that happened, I realized “I can’t write my Otaku Journalist post today.” I didn’t want to write a post while metaphorically looking over my shoulder, reading and re-reading each sentence as if I were my own enemy attempting to eviscerate it. Creation requires a measure of personal revelation and vulnerability—you can’t be creative when you have all your defenses up. Write from a neutral state of mind.

No piece of writing is ever finished because we as writers are never finished. As we continue to improve our skills and evolve and nuance our views, we will always be able to think of ways to edit and re-do our writing—if not now then eventually.

Don’t let your embarrassing past self stop you. The only smart option is to keep forging ahead.

Photo of Elliot in happier times.

Otaku Links: A big week for anime

Otaku Links

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  • Funimation and Crunchyroll have teamed up to bring more subs to Crunchyroll, more dubs and DVD releases to Funimation and generally more anime, the way you want to consume it, for everyone. I think this is great news! I already pay for both services so I guess I’ll be seeing the results of the partnership pretty soon.
  • It’s rare that a single interview changes the way I review anime, but this Yatta-Tachi interview with Shingo Natsume & Chikashi Kubota of One Punch Man fame did just that. After the following comment, you can bet I won’t be referring to sloppy looking episodes as ones that “ran out of budget”:

“A lot of people have this common misconception that the quality of the actual animation is based on the production’s budget. But in Japan, the TV production world, especially when it comes to anime, generally they all have the same budget. There are really rare situations where some have a little less and some tend to have a little bit more, but nothing that is very drastic. So, in reality, it is based on the staff.”

  • My friend Amelia wrote an articulate, provocative article on how moé shows can infantilize and sexualize characters at the same time. I love moé because it is often unintentionally subversive (the way New Game! portrays a successful all-woman game studio and Yowamushi Pedal shows that moé main character Onoda can be both tough and into princess anime). But it’s important to remember the construct our fantasies are built on. I touched on this once when talking about another one of my favorite moé shows: You are the only male character in “Love Live.”
  • This was a great week for anime industry interview pieces. The flawless Deb Aoki interviewed Nami Sano, the author of Haven’t you heard? I’m Sakamoto. I was surprised to learn Sakamoto didn’t start out as a gag manga at all!

Screenshot via New Game!

August 2016 Income Report

august-income-report

Thanks for bearing with me as I feel out how much I want to share with these income reports. This month, I’m going to be vaguer about everything, speaking in estimates when it makes sense to share amounts.

Financially, this was my best month of the year. After a so-so summer, I finally got a bunch of money I was owed all at once. I still am waiting for about $1,000 in back pay from various gigs, but that’s the freelance life for you.

aug-streams

Two elements converged to make this a huge month for my freelance income stream. First, there was some sort of accounting error at my day job which led to my paycheck being a fraction of what it is usually, despite me working overtime. It happens.

Second, it was a bad Amazon month. The way Amazon affiliate earnings work, you get paid three months after the fact. So even though August was a $650+ month for my Gunpla 101 site, I got paid my May earnings, which were only around $350.

aug-compare

Here’s an income stream comparison with July. These circles aren’t to scale, or July would be way smaller. The point is, because I got a lot of checks I was waiting for work from last month, freelance went super well. Combined with the error at my day job and a low month for Amazon, Orsini Bowers Media gigs basically take up the entire pie.

aug-total

Here’s a much better chart for showing total income since I started writing these reports. I think I’ve mentioned before that in 2015, I had a five-figure month AND a three-figure month. Freelance really fluctuates.

Honestly it’s a huge relief to be earning a lot again. I have been feeling burnt out and overwhelmed. I’ve been slowly morphing into the kind of person I hate, who always says “I’ll have it done by tomorrow” and then has it two days later. It’s a clear sign I am doing too much at one time, so I need to better regulate my projects.

aug-profit

Because of all those earnings, my expenditures took a considerably smaller chunk of my business than usual. This month, I spent money on web hosting, renewing my Freckle time-tracker for the year (so no more monthly payments), paying Gunpla 101 contributors, and paying Rusty, my amazing developer for GunplaDB.

How did I do on those August financial goals? Great! I made sure I got paid and cooked at home and brought lunch to the office 99% of the time. I did not spend as much time on my affiliate sites as I should have, but I am in the midst of a big new tutorial for Gunpla 101. Plus, John and I came up with a new savings plan, so I’ll be contributing more money to that.

My September financial goals are:

  • Contribute August income to each savings goal. Our goals are to 1) create an emergency fund that consists of three months of our total living expenses 2) save up for another international vacation and 3) save more aggressively for retirement.
  • Find some new freelance gigs now that I’ve gotten paid for and finished up the last batch of jobs.
  • Invest time and energy in building up GunplaDB, my newest affiliate site.

Share how your August went, and any financial goals you have for September, in the comments!


Previously: 

Otaku Links: Living the otaku dream

Otaku Links

otaku-links-dendo-apparel

Welcome to the last Otaku Links of the summer (or winter, if you’re reading this from Australia)! It’s a mix as always, but it’s heavy on some great stories of Western otaku breaking into anime-related industries despite the barriers:

  • This American cartoonist doesn’t speak any Japanese, but still managed a very rare feat for a foreigner—tabling at Comiket. “Maybe a quarter of my buyers were Americans abroad or otherwise English-speaking foreigners living in Japan. Otherwise, almost everyone was Japanese,” he wrote.”
  • LeSean Thomas is extremely unique among American media producers in that he’s co-produced a successful independent Japanese anime based on his comic, Cannon Busters. Ani-gamers interviewed Thomas about his previous work on the Legend of Korra, his work overseas, and launching an anime off of a Kickstarter.
  • I loved US anime-inspired clothing lines, like OMOCAT and Boomslank. The latest to come to my attention is Dendo Apparel. Dendo is Japanese for “electric” and it’s a Boston-based line of shirts with original mecha on them, like the photo at the top.
  • Have you been listening to Translator Tea Time on Organization Anti-Social Geniuses? It’s a podcast where manga translators Amanda Haley and Jenny McKeon talk about what goes into translating manga into English.
  • Zoe tipped me off to these 9 myths about traveling to Japan. The article claims Tokyo being super crowded is a myth, which I disagree with, but I also didn’t heed this article’s advice not to go during the hectic cherry blossom season.
  • Embarrassing fact about me: I was so nervous when I started reviewing anime for ANN two years ago, I begged out of reviewing Tokyo Ghoul because the pilot was giving me major anxiety. I’m glad I am not the only one who had a powerful reaction to this show. Otaku Journalist reader Jackson Wyndow wrote a thought-provoking post about how Tokyo Ghoul shows what it’s like to live with a mental disorder.

Photo via Dendo Apparel

In defense of your online identity

Fandom, Writing

online-identity

After our Otakon panel, John asked me if he should change his online identity.

On most social networks, John goes by @GundamGuy, a name he’s been using since before I met him eight years ago. As basic as it is, he laid claim to it early enough that he has it nearly everywhere. Well, except Blogspot. A few years ago, we found out about another Gundam Guy, an up-and-coming blogger and go-to source for news about the Gundam anime franchise.

The Gundam Guy blog is increasingly popular, so this Otakon, John started introducing himself with a caveat: “not that Gundam Guy.” Since John is one half of our own blog on a Gundam-related topic, there were a few times he’d mention our blog and run into an awkward moment when people assumed it was the Gundam Guy blog.

John knew there would be other Gundam Guys, but none that would become this well-known. Now he thinks it would be less confusing—for both of them—for him to change his name.

Still, I can’t imagine following that advice myself when it comes to laureninspace.

My whole life, my screen names have ever been very inspired. Age 11: Magusina, my feminization of the Chrono Trigger character Magus. Age 13: Renchan, a cringeworthy infantile nickname that I thought made me sound Japanese. Age 16: Decembering, a pretentious take on my birth month and… possibly nostalgia?

These were all pretty dumb, but laureninspace takes the cake. I picked it while I was hanging out with friends at my 21st birthday party, watching Flight of the Conchords. A friend told me about this thing he’d just discovered, Twitter, that we could use to group chat with each other instead of texting. Since it was just some dumb thing to do with friends, I put hardly any thought into it at all. As Bret and Jemaine warbled out “Bowie’s In Space” on screen, I had my handle.

I never expected that laureninspace (or sometimes, Otaku Journalist) would be the name by which clients and bosses alike first meet me. I didn’t foresee the Daily Dot, Forbes, and anybody else I’ve written for tweeting or retweeting it.

Post-Livejournal, I can’t partition my identity with pseudonyms. Thanks to the walled gardens of Facebook, Twitter, and Tumblr, which encourage users to share personal information that they can sell to advertisers, you can follow me from place to place. Wherever I go online, my identity is visible to anyone who cares to look. I don’t think it’s really possible to split your identity any more. If you have a nickname in one place, it’s likely tied to your real name somewhere else. That’s why I think it would be a Big Deal if John dropped GundamGuy, at least at first.

I’ve had a lot of time to cultivate this opinion because this question of online identity is something readers ask me about regularly. Here are the three most common:

Q. In order to be taken seriously, should I keep my fandom work under a pseudonym and my professional work under my real name?

A. Nah. I got my current non-fandom-related job through anime fandom. Likewise, John got his position after noting he was president of the college anime club on his resume. I think my fandom writing at Anime News Network and Forbes is professional and reflects well on me. It’s only in rare cases, like with my romantic fanfiction, that I use a pseudonym and intentionally try to separate it from my real name—though I’m sure you can find it if you try. Most of the time, I want people to find the work I write under my handle!

Q. I am interested in X topic and Y topic. Should I combine them into one project, or go the opposite way and write about them under two different names?

A. As we say in Super Robot anime, combine! The title of this blog combines two of my interests—anime fandom and journalistic writing—because I believe that blending two interests into a more specific niche helps you stand out. Once again, there are some outliers. For example, my candle blog is an odd vestigial limb in my portfolio of work—it isn’t even close to my other interests, and because of that, a lot of people don’t even realize I run it. But that’s fine. Being online encourages you to be a caricature of yourself, something tweetable and shorthand. If you’re the only person interested in both X and Y and discussing them together in interesting ways, congrats, you’ve just become the go-to person for that combo.

Q. I publish my geek articles/blog posts/etc. under an obscure nickname. Now that I want to find paying jobs in fandom, should I change it to my real name?

A. Actually, I think having an unusual handle can help you stand out. If you have a name (like say, Otaku Journalist) that explains what you are about, it might be more descriptive than your real name, especially if your real name isn’t totally unique. Or if you have an odd Twitter name, but your account has thousands of followers, you want people to know about your ability to build an audience. The most important thing is that you make it easy for your potential editors to find your previous work quickly, and usually that is best accomplished by applying under the same name you writer under.

Creation is really tied to identity. Your identity feeds into your expertise and what you are capable of creating, and in turn your body of work supports and strengthens that identity. As you continue to produce new work, people will associate your handle with a certain kind of product. Even if you think the name is a little silly or overly niche, it’s your brand.

There will be times that your online identity no longer serves you, and John might be getting to that point. But in a world where our identities have fewer and fewer partitions, I say keep the goofy, expressive screen name as long as you can.

See also: Does “Geek Stuff” Belong On Your Resume?

Photo by Thom