Otaku Links: Intervention needed

Otaku Links

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  • This is a cry for help: it’s been fewer than three weeks and I’ve already watched 40+ episodes of Hunter x Hunter (which I am pronouncing “Hunter Hunter” until I hear otherwise). I want to protect these children’s smiles, and also my Lyft driver said he was also watching it, which feels like a sign.
  • Of course, I only have time to watch this show now, before the fall 2016 season begins and I’m sampling everything, at least for the first three episodes. For some closure on the season that just ended, I just wrote up my Best and Worst of Summer 2016 opinions for Anime News Network if you’re curious. Also on Anime News Network: my Gundam Reconguista in G review.
  • We talk a lot about production budgets and smooth animation these days, but I’ll always remember that I got into anime because it was cheap and different and weird. Which is why I’m looking forward to Gakuen Handsome, a crowdfunded game-turned-anime that parodies the BL genre. It has all the hallmarks of a bizarre fan project. Other new shows I want to watch: everything with sports in it. EVERYTHING.
  • Power, Kindness, & Adulthood in Mob Psycho 100. Isaac’s Crunchyroll column explores the humanity inherent in the story of my favorite anime of the season. This is embarrassing, but my favorite fanfic right now isn’t even about romance; it’s a story where Reigen turns out to be Mob’s dad. For all his fraud, Reigen is a good mentor.
  • No Middle Sliders: Body Diversity in Anime. I usually wear an extra-small in US sizes, but when I was shopping in Japan, I wore a medium. Women in Japan are definitely more petite than here, but they’re certainly not all built the same way. Caitlin writes about the anime that are beginning to portray a wider selection of bodies.
  • Definitely missed this the first time around. Here’s an older post about otaku sexuality by Frog-kun that normalizes attraction to 2D characters without making it weird. Because really, we’re not weird for liking 2D characters. It just means we’re able to empathize with our media.
  • Just started reading Shattered Starlight, a webcomic about a badly behaved grown-up magical girl. There is definitely a riff on Madoka Magica going on there.
  • My Son, the Prince of Fashion. An author I love writes about taking his sartorially-gifted son to Paris Fashion Week and the result is a story about fandom, family, and finding your people.

Screenshot via Hunter x Hunter

Six lessons from 2 years of professional anime reviews

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Two years ago this month, I had just started my position as an episodic streamer at Anime News Network. In the months ahead, I would write several thousand words a week on shows like Denki Gai, Yowamushi Pedal, Free! Eternal Summer, Ace Attorney, Ushio & Tora, and Gundam Build Fighters TRY. I would also go on to also review DVD and Blu-Ray releases and branch out into editorials, tutorials, and interviews.

After all this time I’ve only slowed down a little (by downsizing from three to two episodic reviews a week) and showing no signs of stopping. I’m in the middle of a couple review-related assignments right now and I was sort of dreading adding even more writing, my Monday Otaku Journalist post, to that pile. That is, until a cool Twitter follower asked me to write about my review process. Has it really been two years since I last brought up this topic? It’s definitely overdue. After all, I already had a blog post’s worth of lessons after three months of professional anime reviewing.

It’s an example of my embarrassing former self principle that I thought I knew what I was doing back then. Because while the foundations are the same, my level of self-consciousness and belief in my own authority have swapped places. Here’s how I got more confident in my process.

Separate “work” anime viewing from “fun” anime viewing.

People sometimes ask me how I can still enjoy anime now that I get paid to review it. Especially when it’s a show for which my reviews aren’t exactly complimentary!

However, watching anime is still a hobby for me. That’s because I very clearly separate the ways I watch anime for work and for fun. I watch anime for fun on my tablet or TV while lying on the couch. I watch anime for review while sitting up straight at my laptop, notepad app open. Being cognizant of my posture especially flicks a switch in my mind to remind me that while this is usually an activity I do for fun, now it’s time to focus.

Don’t watch twice. Just take good notes.

When I started reviewing, I watched every episode twice before I started writing to make sure I got all the details. That was unsustainable and frankly kind of boring.

Now I watch every episode once, but make sure to take meticulous notes. Sometimes, my list of notes is longer than the final article! Here’s some notes I took for Cheer Boys episode 7, which eventually turned into this episodic review:

0:30 these faces are unfortunate

Sho’s awful drawings don’t look that bad next to the characters themselves

4:47 “uniquely masculine cheerleading”

Hisashi is a real wet blanket

cracks are starting to show in the teamwork

everyone is just freaking out whenever Hisashi gets mad

“every time Hisashi opens his mouth, my heart stops” – Haru

So many stills to the point where it looks unnatural – one guy will be talking in the foreground while everyone is completely rigid

why is Wataru in a skirt? he is so weird he will always be my fav, a dose of personality in a sea of blandness

This goes on for 300 more words, but you get the picture. This is kind of embarrassing to show because it’s really stream of conscious, and nothing at all like the finished product I turn in after getting my thoughts in order. I write down my immediate impressions while I’m watching with as little editing as possible. I try to copy down quotes I want to use exactly, along with who said it (you’d be surprised how much I forget that last part). If there’s a clip I might want to watch again for more clarity, I write down the timestamp.

What do the fans think?

In my post two years ago, I was reviewing Nobunaga Concerto, which remains one of the absolute worst anime I’ve ever seen. I hated the jerky, experimental animation, the casually forgotten plot points, and what I thought was a total disregard for logic. And yet! A lot of people really love that show, including anime reviewers I respect.

It really bothered me that every time I put out a new Nobunaga Concerto episode review, there would be commenters complaining I just didn’t get it or appreciate history or whatever. It was like we were watching two different shows. For future reviews, I wanted to make sure that I wasn’t as completely removed from the fan perspective, so I decided to frequent r/anime.

Reddit’s anime community isn’t exactly a microcosm of the total fan perspective, but it’s extremely reliable. Whenever a new anime episode comes out, a bot posts a comment thread where people can record their impressions. Usually I take a cursory glance at this thread before I start writing. Even when I’m watching a show I’m not all that into, seeing its biggest fans gush about it helps me to consider other perspectives

Of course, I can’t fall into the mindset of thinking “diehard fans are right and I’m wrong.” This bit me in the butt recently when I was reviewing an episode of DAYS. The r/anime commenters were piling on about how the episode depicted a particular foul in the game. And unfortunately, I took that at face value and noted an offside interference in my review, too.

Luckily, I happened to mention this to Grant, a friend of mine who regularly plays soccer (you might remember him as the guy who wrote this) right before publication. He disagreed about the call and I was able to ask my editor to swap the “offside” working as an “interference in play.” That night, Grant and I watched the episode carefully, pausing at possible fouls and concluded that the interference was too brief to indicate what really happened. That makes sense—this is an anime about friendship and teamwork and technical soccer details come second. Since then I’ve been extra wary about taking commenters’ opinions as fact.

I know not everyone agrees with my reviews, but I hope this anecdote at least shows how seriously I take them. I will watch and rewatch a 30-second clip as many times as it takes.

Don’t obsess over the comments.

For me, this means not reading the Anime News Network comments on my reviews at all, since I have learned from experience that I can’t just casually interact with them.

When I started out, I made sure to participate actively in the comments on each of my reviews. Things have gotten toxic in 2016, but in previous journalism gigs I have been contractually obligated to “interact with readers in the comments.” I’m not sure if news sites still make journalists do this—most of the ones I know have removed their comment sections!

But what I have had to gradually learn is that reviewing is not journalism. Journalism is about dispersing the facts as accurately as possible. If somebody can dispute your article, that means something is likely wrong with it! But reviewing is about expressing your opinion, and if somebody disagrees, it’s not the same as somebody disputing a source or a fact.

Comments stress me out because years in journalism have led to me treating everything like a “correction.” If somebody thinks something is wrong in the article, I want to fix it! When I started, my poor editor, Jacob, was getting constant requests from me to go back into the review and clarify something because it seemed like a commenter was taking something the wrong way. But reviews are based on opinion, not fact, so they can’t really be “wrong.”

Today, I don’t read the Anime News Network forum threads on my reviews at all. I haven’t demonstrated to myself that I can interact without looking for things to change in every review. I figure that if I actually got something serious wrong, I will find out—my editor will tell me, or somebody will reach out to me here or on Twitter.

Full-series reviews require consistency and focus.

I’m in the middle of reviewing an anime series right now so this is very much on my mind. My process for full series is different than episodic reviews.

Usually, my deadline is 7 days from the date my editor gives me the assignment. So I’ll watch anywhere from 20 to 40 episodes in a week.

First, before I even start watching, I do my homework. I look up the director, the animation studio, and the soundtrack composer. I note the show’s reception and popularity. No show exists in a vacuum and it’s important to me not to go in blind.

Then I proceed to watch the entire thing, even if I’ve watched it before. Many of the shows I’ve reviewed for Anime News Network are re-releases of Gundam shows, so I’ve seen them before but not recently. It’s vital to me to re-watch the whole thing, this time with an analytical eye.

Instead of taking notes every episode, I do a note dump every four or five. Otherwise I’d have way too many notes to be helpful. You saw how many I had just for Cheer Boys!! For me it’s most important to take notes at the show’s halfway point and after its conclusion.

Full-series reviews are a little like running a 10k race (I’d probably say a marathon if I’d ever run one). You need to be spend a lot of time with one show, around 2+ hours a day, for a week. It’s important to stay focused on the show until the moment you turn in the review.

Grades are the freaking worst.

Especially when it comes to my full-series reviews. I stand by a lot of things I’ve said about anime over the years, but I wish I could just change all the grades to “it has good parts and bad parts, I dunno, just read the review.”

For me, the issue is grade creep. This is my usual internal narrative: “If I gave this episode a B, then this other episode that’s a little worse is a C+. But it doesn’t feel that bad. If only I could go back and give the first episode an A, so this one could be a B.”

I think it all started with one of my first reviews, Mobile Suit Gundam on Blu-Ray. If only I had given this a higher grade! It’s a classic. Now I find myself using that as the benchmark by which I set all other grades, which is crap. “Is this better or worse than Gundam?” is a pretty nerve-wracking question to be asking myself even once a month.

It’s tough. I love anime. I want to be consistent, but I don’t want to give something I liked a bad grade because I’m trying to stay true to a system I set up in 2015. On the other hand, not everyone has time to read the entire review, and a grade is an ideal shortcut.

I wrote about this last year in My Biggest Weakness: Grading Reviews. My opinion hasn’t changed. But in a two year career of growing increasingly confident about every other aspect of my reviewing process, I think it’s OK that I still need to work on one thing.

I had a lot to say about my review process today because when it comes down to it, anime reviews are deeply personal. Unlike with journalism, I can’t say I was simply stating the facts. This is about me—why I like something, this is how I feel about it, and there is nothing out there that can change that. (Just try convincing somebody their favorite anime sucks and see how that goes.) It’s tough because while sarcasm and apathy are the norm in so many parts of Internet interactions, reviews are one place we remain genuine and exposed. It can be scary to share this much, but it can also be exhilarating.


Related posts:

Otaku Links: Back to school

Otaku Links

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  • Starting October 31, you can take a month-long online course on Japanese subculture at Keio University. Lectures will be in Japanese with English subtitles and span from the ’70s to today. What a great opportunity to learn more about fandom in Japan! HT Erica Friedman.
  • As Mob Psycho 100 approaches its high-stakes final episode, I’ve been enjoying the goofy levity of the #RedrawReigen tag on Twitter. They all seem to be very in character, too.
  • A guide to shopping in Tokyo. The Shinjuku department stores were nothing like malls here, and I spent an entire day in one when I was in Japan in March! I didn’t go to Tokyu Hands, but it sounds a lot like Loft, where I picked up small souvenirs (like notebooks and scarves) made by local artisans. It felt like I was bringing back something very Japanese without being overly cliché.
  • Talk about a niche market. According the the Asahi Shinbun, “While the publishing industry as a whole suffers from a retail slump, the educational manga history book genre is bucking the trend and its releases are flying off store shelves.”
  • Which anime do Japanese fans like best? In this somewhat confusing and stream-of-conscious video, Yuta and his friends interview people in Akihabara about their favorite shows. It goes to show that the alleged divide between Japanese and Western anime fans doesn’t really exist. For example, it’s a misconception that Cowboy Bebop is only popular here. HT Zoe.
  • I listed my 10 favorite Char characters in the Gundam multiverse for Anime News Network. You might be surprised to see that only three are actually Char! Zac, my editor, went a little overboard with Char puns.

Photo by Antonio Tajuelo

Fashion advice from a freelancer who likes bright colors and saving money

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I decided to go back to work in November to improve my web development skills by working as part of a team. As the initial elation of getting the job faded, it was replaced by a feeling of dread: “My god, I’m going to have to start wearing pants again.”

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Aoba and Kou at the office. 

When I got my first office job out of graduate school, I dressed a lot like Aoba from New Game! I had a bunch of skirts and suit jackets left over from my days on the high school debate team: every day the same button-down shirt, unflattering below-the-knee skirt, and tummy-pinching tights with low heels. I hated it but the dress code was strict—after I broke my foot, I had to get a doctor’s note to explain why I would be wearing sneakers instead of heels during my recovery.

After I began working from home, I was free to explore my own sense of fashion instead of what I thought a company wanted me to wear. This wore off quickly though, since I spent most days at home. Usually I wore exercise clothes full time, the better to get a workout in between assignments. Any nice clothes I had were birthday gifts or hand-me-downs from my mom and younger sisters, who luckily all wear the same size. This is how I got away with just supplementing clothes I bought in college (or worse, high school) all through my twenties.

My existing wardrobe of workout leggings, oversized tech conference t-shirts, and hoodies was fine for my new office’s casual dress code in winter. But as the humidity crept up, I realized there was no way I could wear pants into summer. Shorts, even here, were out of the question. It was time to come up with a summer office wardrobe I wouldn’t hate.

I ended up dressing less like Aoba and more like her manager, Yagami Kou. You can find both me and Kou in flowy skirts and comfortable tops (and without pants whenever possible).

two-looks

As we all know from fashion magazines, all women have body shapes based on various fruits. My style direction is to dress so you can’t tell which one.

I spent less than $100 to build a summer wardrobe. Here are two outfits I wear nearly every week. I got the shirts for $10 from the Gap, the neon skirt for $20, and the purple skirt in Harajuku for $25. Each pair of flats was $15 from the Gap, and I bought the same ones in two colors, just like I did with the shirts. I am a big fan of duplicates if they’re comfy. One scarf was a hand-me-down from Mom, the other was a Nordstrom Rack bargain. (Yes, you’re taking style advice from a person who wears scarves in the summer.)

As you can see, I am not a very fashionable person. I like bright colors and saving money and those are my priorities. But since I’ve been working from home and have pared down my clothing selection for years, I’ve been able to create a small but versatile wardrobe where everything I own matches everything else, summer or winter.

I’ve kept a very sporadic fashion diary since college, and you can see me wearing some of the same pieces frequently over nearly a decade. Not having to wear anything fancier than exercise clothes for weeks, and not wanting to spend money on clothes nobody will see but me meant I could be very choosy when it came to picking stuff I wanted to wear forever. To the point that, when I decided to buy some office clothes, I could get away with 2 skirts and 3 shirts and end up having enough to wear every work day all summer. (I mean, I do have to do laundry every week as opposed to every two in winter, but in DC humidity, who doesn’t?)

Here’s my advice for freelancers who still go out sometimes and need to wear clothes:

1) What’s your favorite color?

in-my-purse

Here’s an unedited look at all the stuff I bring with me every time I leave the house. Clockwise from bottom: my keys and Metro card, wallet, Altoids, foldable shopping bag,  FitBit, 3DS, fan (for hot Metro trips), handkerchief (scented with essential oil, for smelly Metro trips), coin purse, and phone.

Altoids aside, you can see a pattern emerging here. I really like teal, pink, and purple. So I buy clothes in these colors, or in colors that match (like coral, navy, and yellow). I don’t even own a black purse, because when everything matches a color, that color is your neutral.

2) Accessories are cheap and add variety

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Left: a cheap old Target sundress and hand-me-down jacket modernized with a scarf. Right: Everything in my closet matches everything else. Also, every one of those boxes you see is where my money really goes—Gunpla. 

Want nobody to notice that you have a limited wardrobe and often repeat outfits? Work with a team of men, like me (ha ha). If that’s not an option, let’s talk about accessories.

I friggin’ love scarves. I can update an entire outfit by changing the scarf. They also keep you warm, can be worn 100 different ways, and don’t cost much. When scarves aren’t warm enough, I’ll mix things up with my stupidly inexpensive wrap collection. Or a statement necklace from Target. But mostly, it’s scarves that have the most dramatic effect. Even if I don’t buy clothes that often, I’ll buy at least one scarf a year to update my look, and suddenly my oldest outfits look new again. 

A note on makeup, which is sort of an accessory—this is actually the one area I spend a lot of money on. As I’ve gotten older I’ve gotten choosier about what I put on my face. While I used to wear bright drugstore makeup, now I prefer to wear color in my clothes and neutrals on my face. I usually wear the Urban Decay Naked 3 palette and Kat Von D Tattoo liquid liner (which, relatedly is the same liner that Victoria from Crunchyroll uses, much to my disappointment. I thought if I bought the same liner as her I could look that good, but it’s all talent.)

3) Forget what looks best, what feels best?

When I was in Girl Scouts, I earned a badge for determining which color clothing looks best on me. I bought paint chips at Home Depot and held them next to my face to figure out if I was a Spring, Summer, Autumn, or Winter. I’m so glad Girl Scouts isn’t like this anymore.

I don’t pay any attention to what colors I look good in; I prefer to focus on clothing cuts I look good in—or better yet, feel good in. You might not be aware that you already choose things using this requirement. What are the most-worn clothing items you have? Do you already find yourself wearing a “uniform” of sorts? Since it’s almost fall, here’s what I will wear when the weather gets cooler: skinny jeans, a graphic tee, and a hot pink or teal blazer. Instead of changing what I like, I’ll build around my preferences to create an updated wardrobe. If my skinny jeans get too tight or my blazer gets frayed, I know I’ll want more of the same. I also know I’ll probably going to be wearing a T-shirt no matter what my plans are, so maybe I’ll buy a new statement scarf to cheaply dress it up.

Making sure everything looks good together gives me more variety, which means more outfits without more clothes, which means my clothes don’t wear out as quickly and I don’t have to buy them very often. I would rather buy Gunpla than buy clothes any day, so this works for me.

How does your job affect your wardrobe?

Otaku Links: Exclamatory anime titles!!!

Otaku Links

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  • Summer anime is winding down, and I’ve already got my eyes on what’s coming up this fall. Since I’m a sports anime fan, I definitely want to check out Long Riders!, a girls’ cycling anime, and rugby anime All Out!! (Side note, what’s with exclamation points in anime these days? Neither of these hold a candle to the upcoming Keijo!!!!!!!!)
  • It feels like I post a new Colette Bennett fandom article every week, but I can’t help it. Her latest, What’s it like to be a trans Lolita, is an emphatic look at the intersection of fandom and gender identity.
  • How do you make money as a novelist? Some Quora real talk from one of my first favorite fantasy authors, Mercedes Lackey. “Of all of the members of the Science Fiction and Fantasy Writers of America, only about 10% make a living from writing.” Oof.
  • I just finished Back Off, I’m A Ninja, the third book in Natalie Whipple’s YA triology. I rarely read YA but this self-published series ignores mainstream trends in exchange for a compelling story that somehow manages to touch on pretty much everything I like, from Japanese myths to Dungeons and Dragons.
  • Did we kill hobbies by monetizing them? To celebrate the end of Japanese 301, some of my classmates and I went out for a drink, and I mentioned I review anime. “So do you still enjoy watching anime?” was the first question I got.  I do! But for some people, getting paid to do something fun can absolutely kill the leisure aspect of it.
  • On the same topic: Why Flexible Working Makes Me 100% Happier. I work my “day job” even less than Emma does—four half days a week—but I still struggle to get everything done. I know that if I had a full time job there’s no way I’d be able to accomplish all the stuff that’s important to me.

Photo via Daily Dot