How to make money anime blogging

Uncategorized

I honestly never thought I’d be in a position to write this article, but here we are. At nearly four years old, Otaku Journalist is actually making a profit. And since I’m a journalist obsessed with transparency, I want to tell you all about it.

So here’s the backstory: it costs about $100 a year to keep Otaku Journalist online, and I don’t make a ton on a freelancer’s salary. My goal has always been to have it pay for itself.

Over the last four years, I’ve experimented with all kinds of ways to make money blogging. I’ve put up banner ads using Project Wonderful, and made literal pennies. I’ve used Google Adsense, and made nothing at all. Finally, I settled on becoming a Bluehost affiliate. I make double digits when people sign up with Bluehost through my link, so I only need a handful of clicks for Otaku Journalist to pay for itself. (The money goes right back to Bluehost anyway!)

That’s been perfect. For the past two years, Otaku Journalist has netted me $0, but it’s also cost $0 for me to maintain. I thought that was the end of my scheming.

That is, until I started to notice Amazon sending me periodic “gift cards” to my account. And the amount of money on each gift card was getting larger and larger. I forgot that I was an Amazon affiliate, because my affiliate links had never paid off before. And now I had an additional $150 in funds for 2013 alone, with no effort at all on my part.

What happened? Back in 2010 and 2011, I used to put affiliate links into lots of posts, hoping to make money. But since my blog was young and small, nobody ever clicked. Now, for some reason, some of my older posts, especially about Gundam building, are getting tons of traffic. And readers are clicking and buying Gundams.

Granted, an additional $150 in eight months (update 4/2014: now more like $150 a month!) isn’t close to enough to live on. But it’s surprising to earn that much when I’m not actually DOING anything. Especially when you consider that Otaku Journalist’s 200 uniques a day are nothing in Web traffic.

Are you an anime blogger interested in making a little extra? Here’s what worked for me:

  • Affiliate programs, NOT banner ads. Project Wonderful works for big sites like Questionable Content (I believe it’s the bulk of Jeph’s income), but small blogs shouldn’t even expect to make a dollar there. Same for other ad services. What’s worked for me is affiliate programs with smaller click rates, but larger payoffs.

  • Create valuable content, not a shill. There’s a reason Gundam Modeling 101 is the most popular (and lucrative) article on my entire website. It’s not an ad for Gundams, but an extensively researched tutorial on everything you need to know to get started with model building. Readers aren’t stupid; they know when they’re being used.

  • Don’t be afraid to promote. So many anime bloggers seem afraid that somebody will bite their head off if they’re caught making money. But when it’s an affiliate link, readers are spending the same amount they would anyway. The only difference is that you get a cut for turning them on to it. You don’t have to go in the other direction and become a sales blog, but if you’re reviewing an anime, it makes sense to place an affiliate link to where the reader can buy it on DVD.

  • Give away your best stuff for free. The reason I’m so happy giving away my digital guides is because they’re the most valuable thing I can offer my readers. They’re what makes Otaku Journalist worth returning to. And in the end, that’s going to make more people come back—and click on affiliate links while they’re at it—than if I charged for my best work.

  • Try not to worry about it too much. They call it passive income for a reason. If you spend all your time checking your affiliate accounts and tweaking your site to get more clicks, you’re exerting way more energy than a couple of extra bucks a year are worth.

I realize there are people who make WAY more than I do who might have differing opinions. But whenever I hear about somebody actually making money online, I figure it’s some sort of spammy pitch to get my money. So I wanted to offer up one regular person’s perspective.

If you’re brave enough to share in the comments, let me know about your blog’s relationship with money. Do you think making money from blogging is disingenuous? Or, if you’re also a blogger who finds yourself in the black, what are your favorite money-making techniques?


Cosplay USA is on sale now!

Anime, Journalism

cosplay_usa

Like most online journalists, I long ago gave up the dream of ever seeing my name in actual print. But that changed in March, when Patrick Macias gave me a freelance job offer I couldn’t refuse.

I’ve been in touch with Patrick ever since I interviewed him back in 2010 for How to start a career in anime journalism. I guess this is one way blogging can open doors for you, because ever since then he’s kept me in the loop on journalism opportunities.

Patrick told me Otaku USA magazine was planning a cosplay-exclusive edition for late August, and asked if I’d like to work as assistant editor. I couldn’t say yes fast enough! Sure, it was tough at times to balance the work with several other freelance gigs and a wedding, but it’s all worth it now that I can finally share the issue with you.

history_of_cosplay

My largest contribution to the magazine was an article on the history of cosplay. I couldn’t have done it alone, and quotes from expert sources like Ashbrie and Charles Dunbar really helped me ensure accuracy.

Buy the digital version of Cosplay USA for just $5.95, or look for it on newsstands and in bookstores. Or, if you like what you see, buy a one-year subscription.

I’ve been having a great time collaborating with Otaku USA and I hope to have more articles published there to share with you soon!


Otaku Links: “Real Anime Journalism”

Otaku Links

photos

Instagram photos I took this week: me and the Cosplay USA magazine I edited, Nobell Gundam, Pink Bearguy gundam, and homemade Japanese curry. 


Maybe you’re the reason anime is dying

Anime, Fandom

How do I know that anime fandom is still alive? Because people are always lamenting the untimely death of anime.

If you’re on Tumblr as often as I am, perhaps you’ve noticed the two viral posts I’d like to talk about today. First, there’s this chart that’s got 12,000+ notes. It depicts one fan’s perspective on what anime looked like before the moe genre was popularized, and after:

moe

Remember in the ‘00s when studios collectively chose to produce nothing except moe anime ever again? Yeah, me neither. Or, as another fan pointed out: studios have produced pandering shows since forever. And they continue to produce shows we all love, too.

Then, there’s a quote from a blog I highlighted in Otaku Links a while back, Man Tears Flowing Free, basically “men getting mad about an anime targeted toward women.” The author wrote a great response to a man complaining about Free! being the death of anime. I didn’t reblog it myself because I think much of the brony hate is undeserved, but here’s the clincher:

“But if a girl ‘trespasses’ into a male space, what happens? (Even when it isnt ‘trespassing’, in the case of Free!, in which a space was actually made for us ) We can expect such timeless classics as: degradation, ‘you’re not even a REAL fan!’ ‘I bet you dont even know ______’, all kinds of threats, and, of course, the posts you see on this blog.”

Gone are the good old days of anime. Anime is dead and moe killed it. Or if you like, anime is dead and anime, like Free!, that panders to women killed it*. (Seriously, where were these guys when Black Butler was airing?)

*EDIT: Massaging the wording here since I’m getting a lot of people thinking I meant that moe is targeted at women. I don’t believe this to be the case at all. 

And to the people who make this argument, I say, maybe you’re the reason anime is dying.

In my Otakon review for Otaku USA, I referenced Evan Minto’s fantastic feature on how Homestuck fandom growth is prompted by an almost evangelical recruiting strategy, it’s “Let me tell you about Homestuck!” “[I]t inspires me to fire back with my own, equally welcoming reply,” says Minto. “Let me tell you about anime.”

If anime is dying it’s because fans feel a need to be gatekeepers. To say certain kinds of anime or anime fans aren’t legitimate. To use words like “Narutard” or “Fake geek” to keep people out of our cliques. So much has been written about geek policing, but here’s an academic explanation of just how petty and predictable we can be.

If anime is dying, it’s our fault. It’s certainly not the fault of content creators, who are churning out future classics all the time. It’s our inability to acknowledge anything created after 2005 as anything other than moe pandering. It’s our inability to believe that [insert group here] are part of the anime fanbase. It’s our inability to be welcoming recruiters to anybody who expresses interest.

You may say that I’m making a straw man argument toward a vocal minority. That’s probably true; plenty of people reblogged the moe chart to refute it. However, I’d retort that the very argument that “anime is dying” is a straw man argument itself. Through various streaming sites, anime is more accessible than it’s ever been. There are conventions everywhere, and they’re all growing. I know from firsthand experience that Otakon gained a good 5,000 additional visitors this year.

Anime fandom is only going to get bigger from here. I’ll only suspect that it’s dead when people STOP talking about why it’s dead or dying.

Chart by bewareofmpreg


Otaku Journalist Vlog #3: Covering Live Events

Uncategorized

otakon

A couple of weeks ago I got an email from fellow aniblogger Justin of Organization Anti-Social Geniuses basically amounting to, “Whatever happened to that vlog of yours?”

Well, after I made the first and second vlogs in quick succession and then kind of let the project lull, I felt like I needed to create something more meaningful than “here’s what I’m into right now” if I was going to bring it back.

Luckily, at Otakon I was reunited with two of my favorite journalists and I had an idea. Why not give my readers the chance to listen to some other otaku journalists for a change? My way isn’t the only way to practice fandom reporting, and Aja Romano and Mike Fenn have some really awesome stories under their belts.

Since it’s three of us yammering instead of just the usual one, this is my longest vlog yet at a little over 15 minutes. So to hold your attention, here are some timestamps:

1:50 — I ask Aja and Mike about their reporting angles for Otakon.

4:30 — We discuss why non-anime news outlets report on cons.

7:00 — Mike and Aja’s essential reporting tools for live events.

9:15 — Everyone’s favorite note-taking techniques for panels.

9:30 — Some guy walks past us and I’m too lazy to edit it out.

10:00 — Mike talks about “pre-reporting” to practice for live coverage.

11:45 — How we balance reporting with enjoying the convention as fans.

Since it’s a week after Otakon, Mike and Aja have already published some of their convention coverage. Here’s Aja’s story on Lucky Cats and Mike’s on awesomely bad Japanese music videos, both reported from the con. (And if you didn’t read my coverage yet, be sure to check it out here and here!)