Otaku Links: “Real Anime Journalism”

Otaku Links

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Instagram photos I took this week: me and the Cosplay USA magazine I edited, Nobell Gundam, Pink Bearguy gundam, and homemade Japanese curry. 

Maybe you’re the reason anime is dying

Anime, Fandom

How do I know that anime fandom is still alive? Because people are always lamenting the untimely death of anime.

If you’re on Tumblr as often as I am, perhaps you’ve noticed the two viral posts I’d like to talk about today. First, there’s this chart that’s got 12,000+ notes. It depicts one fan’s perspective on what anime looked like before the moe genre was popularized, and after:

moe

Remember in the ‘00s when studios collectively chose to produce nothing except moe anime ever again? Yeah, me neither. Or, as another fan pointed out: studios have produced pandering shows since forever. And they continue to produce shows we all love, too.

Then, there’s a quote from a blog I highlighted in Otaku Links a while back, Man Tears Flowing Free, basically “men getting mad about an anime targeted toward women.” The author wrote a great response to a man complaining about Free! being the death of anime. I didn’t reblog it myself because I think much of the brony hate is undeserved, but here’s the clincher:

“But if a girl ‘trespasses’ into a male space, what happens? (Even when it isnt ‘trespassing’, in the case of Free!, in which a space was actually made for us ) We can expect such timeless classics as: degradation, ‘you’re not even a REAL fan!’ ‘I bet you dont even know ______’, all kinds of threats, and, of course, the posts you see on this blog.”

Gone are the good old days of anime. Anime is dead and moe killed it. Or if you like, anime is dead and anime, like Free!, that panders to women killed it*. (Seriously, where were these guys when Black Butler was airing?)

*EDIT: Massaging the wording here since I’m getting a lot of people thinking I meant that moe is targeted at women. I don’t believe this to be the case at all. 

And to the people who make this argument, I say, maybe you’re the reason anime is dying.

In my Otakon review for Otaku USA, I referenced Evan Minto’s fantastic feature on how Homestuck fandom growth is prompted by an almost evangelical recruiting strategy, it’s “Let me tell you about Homestuck!” “[I]t inspires me to fire back with my own, equally welcoming reply,” says Minto. “Let me tell you about anime.”

If anime is dying it’s because fans feel a need to be gatekeepers. To say certain kinds of anime or anime fans aren’t legitimate. To use words like “Narutard” or “Fake geek” to keep people out of our cliques. So much has been written about geek policing, but here’s an academic explanation of just how petty and predictable we can be.

If anime is dying, it’s our fault. It’s certainly not the fault of content creators, who are churning out future classics all the time. It’s our inability to acknowledge anything created after 2005 as anything other than moe pandering. It’s our inability to believe that [insert group here] are part of the anime fanbase. It’s our inability to be welcoming recruiters to anybody who expresses interest.

You may say that I’m making a straw man argument toward a vocal minority. That’s probably true; plenty of people reblogged the moe chart to refute it. However, I’d retort that the very argument that “anime is dying” is a straw man argument itself. Through various streaming sites, anime is more accessible than it’s ever been. There are conventions everywhere, and they’re all growing. I know from firsthand experience that Otakon gained a good 5,000 additional visitors this year.

Anime fandom is only going to get bigger from here. I’ll only suspect that it’s dead when people STOP talking about why it’s dead or dying.

Chart by bewareofmpreg

Otaku Journalist Vlog #3: Covering Live Events

Uncategorized

otakon

A couple of weeks ago I got an email from fellow aniblogger Justin of Organization Anti-Social Geniuses basically amounting to, “Whatever happened to that vlog of yours?”

Well, after I made the first and second vlogs in quick succession and then kind of let the project lull, I felt like I needed to create something more meaningful than “here’s what I’m into right now” if I was going to bring it back.

Luckily, at Otakon I was reunited with two of my favorite journalists and I had an idea. Why not give my readers the chance to listen to some other otaku journalists for a change? My way isn’t the only way to practice fandom reporting, and Aja Romano and Mike Fenn have some really awesome stories under their belts.

Since it’s three of us yammering instead of just the usual one, this is my longest vlog yet at a little over 15 minutes. So to hold your attention, here are some timestamps:

1:50 — I ask Aja and Mike about their reporting angles for Otakon.

4:30 — We discuss why non-anime news outlets report on cons.

7:00 — Mike and Aja’s essential reporting tools for live events.

9:15 — Everyone’s favorite note-taking techniques for panels.

9:30 — Some guy walks past us and I’m too lazy to edit it out.

10:00 — Mike talks about “pre-reporting” to practice for live coverage.

11:45 — How we balance reporting with enjoying the convention as fans.

Since it’s a week after Otakon, Mike and Aja have already published some of their convention coverage. Here’s Aja’s story on Lucky Cats and Mike’s on awesomely bad Japanese music videos, both reported from the con. (And if you didn’t read my coverage yet, be sure to check it out here and here!)

Otaku Links: Post Otakon blues

Otaku Links

attackonsobriety

Sorry for the lack of posting all week. I seem to have come down with the con plague and when I’m feeling like crap and I’ve got a lot of writing to do, my blog posts take the hit first. Hopefully soon though, I’ll be back to work on my latest Vlog, my new digital guide, and everything else! For now, enjoy some links:

  • As mentioned earlier, I went to Otakon as a member of the press. You can read my recaps on Otaku USA or Crunchyroll. It was a pleasure freelancing for them!
  • Speaking of Otaku USA, remember when I said I was freelancing as an editor on their one-shot magazine, Cosplay USA? It comes out this month and you can already look at the cover.
  • Still, Otakon is so GINORMOUS that my experience of it isn’t universal, and neither is anyone else’s. Here’s Tony’s and here’s Michelle’s recap. Even though I saw both of them at the con, it’s amazing how little overlap we experienced.
  • Speaking of the law, it can get pretty confusing, especially when those of us outside of Japan are trying to navigate when it’s OK to use anime screenshots for reviews. Tony shared this link with me from Japan Powered: Anime Blogging and Copyright Considerations. I’m not a lawyer, but this article does cite reputable sources.

Photo by me at Otakon 2013. Here’s more of the cosplay I saw on my Tumblr

Otaku Links: If you’re reading this, I’m at Otakon!

Otaku Links

rainbowdashes

  • Did you go to Bronycon last weekend? I thought it was interesting that one congoer was doing an informal survey on the percentage of black bronies. I bet he’d have totally different results at Otakon.
  • I’ve been enjoying the gorgeous watercolors and bombastic rewritten personalities in Gundam: The Origin, a manga retelling of Mobile Suit Gundam. Reverse Thieves did a fascinating interview with its translator, Melissa Tanaka.
  • Anime Diet has been doing some insightful recaps of Watamote, capturing the tragedy behind the absurdity of Tomoko’s life. Here’s its recap on the raunchiest episode yet.
  • My friend and fellow journalist Jose San Mateo wrote about attending the first annual GaymerX convention.
  • WTF Yaoi Anatomy? This Tumblr may be safe for work, but you will never be able to erase this contorted art style from your eyes.

Photo by me at Otakon 2012’s brony cosplay meetup.