LINE: the otaku’s messaging app

Guest Post

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Otaku Journalist has certainly become a group effort these past few weeks! Today’s guest post is from Tony Yao of Manga Therapy, while I continue to work on the book.

After Facebook purchased Whatsapp (my response: what’s Whatsapp?), a lot of savvier users than myself began hunting for a new messaging app to use. That’s when Tony told me about LINE, (my response: what’s LINE?), a messaging app that seems perfectly suited to anime and manga otaku interests. As a technology journalist by day, I thought it’d be awesome to introduce some otaku tech to my readers.

Check out Tony’s primer on LINE, what it is, and he, as an otaku, loves to use it:


When legal anime streaming site Crunchyroll was acquired by the Chernin Group last year, Chernin Group President Jesse Jacobs had this to say about otaku:

“Japanese pop culture fans are early tech adopters and passionate. That’s the future.”

If that’s the case, then LINE is the future’s mobile messaging app of choice. Made in Japan, it’s an app that reflects a generation that has grown up with anime and manga fandom via the Internet. It has become a global phenomenon with a user base of over 300 million people across the world.

LINE was originally developed by NHN Japan, the Japanese division of the Korean internet corporation, Naver, in 2011 after the events of the Tohoku earthquake. It was a response to the people of Japan not being able to connect with friends and family members after the tragedy. The service offers free phone, messaging, and video call capabilities.

Since its debut, LINE has grown immensely. It reached 100 million users after only 19 months. 6 months later, it hit 200 million users. Today, users in over 231 countries have adopted LINE.

LINE Corporation hasn’t stopped there. The company opened up a set of stores filled with merchandise starring its mascot characters in certain Asian cities. LINE is one of the top non-game mobile applications on both the App Store and Google Play overseas. The service debuted in the U.S. around January 2013 and is looking to combat Facebook and other social networking services for market share.

When asked what makes LINE popular, almost every user will tell you it’s the stickers. Revolving around a cast of cute and funny mascot characters, the main quartet consists of a rabbit named Cony, a bear named Brown, a round-headed figure named Moon, and a pretty boy named James. All four are given background stories and unique character traits. The sticker sets often portray these characters emoting wildly, so you can use them to express exactly what you mean. This is a sample chat I had with a friend a while ago:

LINE-Chat-Tony

Yes, ending a conversation with a bear that looks like a body pillow is a great way to wish someone good night. The LINE characters also star in two original anime series. While there are emoji and emoticon options on LINE, the stickers are the best way to get your feelings across in the quirkiest and most adorable way possible.

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Now here’s the fun part for otaku with smartphones: LINE has stickers featuring anime/manga characters.  Attack on Titan is on there, so you can show off your love for someone with a sticker of the Colossal Titan with hearts in his eyes. Old classics like Doraemon are on there as well. Even notable series like Hataraki Man, Initial D, and Thermae Romae have stickers on LINE.

There are a good amount of anime/manga stickers for U.S. audiences. However, some are only available in Asia due to how popular certain series are over there. The best example I can give is Gintama, where there are two sticker sets from Sunrise available only in countries like Malaysia. As a Yorozuya fan, it breaks my heart just like Kondo Isao being rejected by Tae Shimura.

LINE sticker sets don’t come for free, as they are worth about $2 a set and are paid using “coins” as virtual currency. However, LINE does offer a few free starter sets for use. They also have free promotional sticker sets available from time-to-time. I can tell you that the stickers are very addictive to play around with and you might be encouraged to shell out a few bucks for the anime/manga stickers if you become a heavy LINE user.

Another popular feature about LINE are the games. They are free-to-play games that have simple mechanics and design. LINE games are similar to other mobile games out there. Yet why are they downloaded and played a lot? According to Akira Morikawa, CEO of LINE, in VentureBeat:

“For us, our games are casual games, but we try to make sure that they’re attractive enough that they stick with people for a long time. We’re using a system which allows users to compete against their friends. We reset high scores on a weekly basis. In the beginning, many users just enjoy the games alone, but soon they become more competitive, which leads to an expanding user base and eventually increasing revenues.”

LINE-Bubble-gameplay

I’ve played a few of these games and found them enjoyable. Some of my fellow otaku friends have become addicted.  LINE POP, LINE Pokopang, and LINE Bubble, arguably its most popular games, help users build connections and friendly rivalries with their contacts.

There’s also a variety of other fun LINE apps to complement LINE: LINE Camera, LINE Card (an e-card design app), LINE Tools, and even a LINE Antivirus app (only available for Android phones).

I know you may love using Facebook, Twitter, Instagram, Snapchat, etc., but for me, LINE is a worthy addition to my internet life. Using LINE makes me feel like a living cartoon character chilling in reality. It speaks to the anime character/otaku in me. We all know Asian media is sometimes an awesome part of a Western otaku’s life and this is another example of it. The U.S. invasion has been slow and steady, but LINE received attention in the American music world when it was featured in Big Sean’s “Guap” music video.

If you want to sum up LINE in a nutshell, it’s Skype evolved. Chat, games, anime/manga stickers with emotion, and free calls—it’s the perfect app to show off your appreciation and passion for your fandom. Long lines may be a pain at anime conventions, but this is one LINE that every otaku will find worth it.


Use LINE? Want to tell Tony what you think of his post? Comment normally, and Tony and I will both be reading the comments. And P.S., if you’ve got an idea for an Otaku Journalist guest post on anime, fandom, subculture, or journalism, send it my way!


Otaku Links: An extra large helping of Internet

Otaku Links

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Last week I was too busy galavanting around New York City to post my usual roundup, so enjoy extra links today! Here’s what caught my eye this week:

  • Are you an Anime-Planet user? Do you hate having to manually update your profile with all the Crunchyroll shows you’re watching? In that case, you’re going to love their new partnership, which allows you to watch CR shows from your profile and opt to have them update automatically, too. Check out the press release—actually, I wrote it! And if you’re also on Anime-Planet, let’s connect.
  • Yes, it’s possible to learn Japanese by watching anime. But you’ll need to grab your textbook and turn subtitles off for a change. Koichi shows you how.
  • The always edgy VICE Magazine interviews Richard Garfield, the inventor of Magic: The Gathering, and manages to make the game sound approachable and cool. If you’ve found M:TG too complicated in the past, check out the way Garfield lays it out in this Q&A.
  • The Fullmetal Alchemist mangaka just completed her third “human transmutation.” So geeky, so cute.
  • Apparently while I was in New York, the entire world became obsessed with Twitch Plays Pokémon, a version of Pokémon Red being played by 80,000 or so people all at once. For me, the easiest way to keep up is by reading the live update stream on Reddit.
  • Tony has been blogging at Manga Therapy for four years now! Go congratulate him and if you know/are an illustrator, let him know. He wants to start building anime themed infographics, which we could always use more of.

Incredible Harime Nui cosplay by Rato. Check out her other costumes, too. 


“Write. Every day.” Anime journalism the L.B. Bryant way

Careers

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Anime journalism might not be as much of a moonshot as I thought. After your huge response to my interview with Lynzee Lamb, I knew I had to keep these coming. And as it turns out, professional anime journalists really do exist! (Do you know one or are you one? I’m definitely looking for more people to interview.)

Today’s interview is with L.B. Bryant, another industry professional whom you might know as @otakureview. I asked him the same questions I asked Lynzee, but his answers show that no two anime journalists are alike. Bryant shared his daily routine, his favorite part of being a journalist, and his advice to fans who want to do the same.


Otaku Journalist: Tell me about your current jobs. Where do you work for a living?

L.B. Bryant: Currently I’m the Content Director for Ani.me, an associate editor on Japanator and a manga reviewer for ICv2.com.

How does that break up into a typical day or, if easier, week?

A typical day goes like this for me: I wake up between 7-8 am and spend an hour or so drinking coffee and waking up. Between 8-9 am I am scanning the headlines of various blogs and websites looking for news to write about. Between 9-11am I am working on articles and planning out the posting schedule for the day. Eleven to 12 is lunch. From 12-2pm I am back to work on articles, reviews, features and whatever else I need to get done. From 2 pm on I am watching anime DVDs or simulcasts depending on the day and which ones I need to have done for a review or a podcast.

I typically TRY to stop working around 4:30 pm but that doesn’t always happen. In fact it rarely happens. It’s not uncommon to find me watching anime that I have to review or working on articles all the way into the evening.

Did you have to learn Japanese in order to report on anime news?

I taught myself how to read hiragana and katakana but I’m not even in the vague realm of fluency so no.

What are the best parts about being an anime journalist?

Interacting with readers at conventions or even in the comment sections of the articles I write.

On the flipside, what are some sacrifices you’ve had to make?

I wouldn’t say that I’ve had to make any major sacrifices though I do occasionally have to forget about having a social life because I have to get ‘one more article’ written or work on watching an anime/reading a manga because I have a deadline approaching.

What is your advice to fans who want to become journalists? 

Write. Every day. Doesn’t matter if it is a personal journal entry, a news article, a review or a shopping list. Just make sure that you’re always working on your writing skills so that you can be the best that you can be.


A life update and a book update

Uncategorized

I hate “blogging about not blogging” type posts. But I’ve been off my game and I want to let you know what I’ve been up to in the meantime. I’m llustrating mainly with selfies, because I work from home in my sweat pants most of the time and I’ve had a lot of occasions to dress up lately:

Katsucon 2014

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Donned my Yaya Han cat ears for a day at Katsucon. Spent most of it waiting in lines, so sorry if I missed you/your panel! Next time I will pre-register for sure. Had a great lunch with reader/fellow journalist the Paper and caught the last 30 minutes of Charles’ “Spirits, Wheels, and Borrowed Gods” panel. Bought some new Gunpla, including a master grade Strike Rouge from Gundam SEED/Destiny. Also Bearguy San III from Gundam Build Fighters, complete with a light-up GP base. Saw LOTS of Kill La Kill cosplay.

New York business trip

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Took pictures in the snow in Manhattan. Checked in on Foursquare at Foursquare. Tumbld about visiting Tumblr HQ. Spent most of my interactions with Tumblr employees discussing our many feelings about Attack on Titan. Ate Japanese curry and French macarons. Spent lots of face to face time with my boss and coworkers, who are normally on the other side of the country. Worked in an office for once! Rode Amtrak both ways and was overjoyed to hear that Amtrak is now testing a residency program for writers. I’m never so productive as when I’m on a train!

Progress on the book cover

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Skyped with Kevin while I was still in New York, and we now have a cover sketch! I wanted to give Kevin free rein with his signature style I love so much, so I gave him a prompt—”super sentai journalist” and asked him to run with it. He didn’t disappoint and I especially love the sentient laptop sidekick! We’ll have a color version to show you by March 15.

What has everyone been up to while I’ve been gone? Apparently anitwitter people are rewatching Gundam Wing, and the rest of you are glued to Twitch Plays Pokémon.


I’m a professional anime journalist! An interview with Lynzee Lamb

Careers

lynzee_lamb_glamour

In my journalism career, I haven’t found writing about anime to be lucrative enough to do full time, no matter how fun it may be. I shared this in my advice to a reader with the caveat, “I really want a passionate anime fan to prove me wrong and make a living off of their reporting.”

Lynzee Lamb has done just that. She’s an associate editor for Anime News Network, author of The List column, and an all-around hardcare anime fan. (She also finds time to update a pretty cool blog about gender and sexuality in anime.)

However amazing it is to be a professional journalist writing exclusively about anime, it’s not all as glamourous as Lynzee’s photo might suggest. I asked Lynzee about the day to day life of an anime journalist and here’s what she had to say:


Otaku Journalist: Tell me about your current job. What do you do for a living?

Lynzee: My current job is broken up into a variety of projects, the largest is writing daily news for Anime News Network. I also contribute to the Interest section, which is similar to a newspaper’s Arts & Entertainment section, and write a weekly column for the Editorial section.

How does that break up into a typical day or, if easier, week?

I work as many hours as I can get which is necessary in this line of work. I work six days a week, most of which is a split shift. I work 3-4 hours in the morning and 3 hours every evening except for Friday. Friday is my only, 100%, day off. I work weekends as well. Thursdays are the busiest because on top of my regular work hours, I also have to put together my column.

Did you have to learn Japanese in order to report on anime news?

I took Japanese in college as a general interest because anime was already a hobby for me at the time. Actually, by college, I’d be more or less consistently watching series since middle school. I’m hardly fluent, however, but I can read katakana, hiragana, and a bit of kanji. Having an idea how sentence structure works is also really useful. Reading Japanese fluently isn’t a requirement, but it is a much sought after skill.

What are the best parts about being an anime journalist?

For me, I’m a news junkie. Of any kind. I like knowing things first which is one reason why I obtained a Bachelor’s degree in Journalism in the first place. The other is because I want to make a worthwhile contribution for readers so they can make informed decisions. I am a big believer in the Fourth Estate. On the other hand, a lot of those things don’t play into the entertainment news media, whether it’s E! or anime news. You do, however, get to meet great people and write about fun topics.

On the flipside, what are some sacrifices you’ve had to make?

Let’s talk about the fandom for a second. I’ve written for local papers and ANN simultaneously. Dealing with anime fans means getting laced into, threatened, or mocked on social media about cartoons. While major news publications get their fair share of abusive comments (especially regarding politics), they’re usually between commentors. I don’t know what Anderson Cooper’s twitter account looks like, but it seems like the more exposure your name has the more likely people are going to seek you out to ruin your day.

What is your advice to fans who want to become journalists? 

Become journalists first. I’m serious. There’s a whole level of training that goes into being a journalist above a competent ability to write and it’s important. I have encountered so many “citizen journalists” who have no idea what the SPJ Code of Ethics are, the difference between libel and slander and how to prevent being accused of it, and how to establish sources.