Otaku Links: Sampuru Size

Otaku Links

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By the time you read this, I’ll have already gone off the grid! After Otakon, I needed a vacation from my vacation, so I’m heading out to a friend’s lake house to go boating and play board games for a few days.

  • The honest and gratifying story of how Josh “Comics Curmodgeon” Fruhlinger kickstarted, self-published, and actual made some cash on his DC-based geek social media fiction.
  • Aja wrote about what happens when shipping goes too far. It’s fun to imagine two characters in a relationship together, but what happens when shipping leaves the imagination and becomes a very real campaign to goad creators into making our favorite characters’ stories match what we want?
  • So glad to catch up with Viga at Otakon. Her YouTube channel, where she reviews indie comics and gushes about idol anime, just hit 1,000 subscribers, so you should check it out.
  • On Monday, I asked Otaku Journalist readers to plug their own projects. I was blown away by Jamie’s Anime Chicago, a 700+ person club—and academic symposium—in her home city! Their article on how the Tokyo subway compares to Chicago transit makes me want to go back to Japan immediately.
  • Just discovered the Five Geek Social Fallacies through cartoon legend Iron Spike. This 2003 post helps us question some of the awkward social beliefs we might have. I’ve definitely believed these before, especially #4.

Photo via Fake Food Japan

Blogging is a two-way street

Fandom

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Last week, my Twitter account got temporarily disabled in some sort of glitch. It was down for only five hours, but I didn’t know that when I tried to log in and couldn’t, so I panicked—and then got embarrassed with myself for how panicked I was. It’s just social media, but without the ability to broadcast my thoughts, I felt like I’d lost a big part of my self expression.

Here on Otaku Journalist, that sounding board effect is even more pronounced. While on Twitter I can broadcast what’s important to me to 5,700 people, this blog gets about 12,000 unique visitors a month. Google says about 2,000 of those people are regular visitors. This is a personal space, but not a private one. Every time I use this space to share something, it’s looked at by way more people than the sum total of my family and friends combined.

It’s easy to forget that, with blog comments going the way of the VCR. (This is not a subtle hint to comment; I don’t comment on blogs much anymore either.) When I blog, I don’t think about the thousands of people who will see the post. I don’t envision a particular face. I just sit at my computer, alone, and try to convey whatever I think is important to share. It creates the perception of a platform where I am active, you are passive. I talk, you listen.

But this weekend at Otakon reminded me that this isn’t true at all.

These past three days, I talked to so many Otaku Journalist readers. One of you recognized me in the hall, and I want you to know that made my day. Some of you told me that you had one of my books on your Kindle, or were touched by a particular post I’d written lately. That was the me part. The you part was this—I know and follow and fangirl about so many of you! I’m your Twitter contact or your subscriber or I read your blog or attend your convention panels or sent you an email once while I was reporting something or we share a mutual friend. While it would have been a huge ego-boost in itself to have people recognize and praise my work, it was infinitely more rewarding to realize that the people doing the praising were people I admire.

It’s not so simple as the blogger being the creator, and the reader being the audience. And it’s way better than if that were the case. You’re an Otaku Journalist reader second. And first, you’re somebody that’s capable of awesome things that inspire me, even if I haven’t met you yet.

I’ve said before that blogging changed my life. There is an article about this, and I didn’t even write it. It’s not simply the act of writing online that changed things for the better, it’s that it gave me a place to be seen and heard by people like you. It’s given this awkward introvert a place to network and reach opportunities I wouldn’t have gotten otherwise. And, I realized, it’s given me an in for going up to people I admire at places like Otakon to approach them as an equal.

The very fact of anime being created half a world away means that American fans will always be people who know how to take the initiative—to form clubs and conventions and fan projects. While I’ve been working on my blog and my books and, most recently, the Gunpla database, you’ve been building cool stuff in parallel. It’s reminded me that blogging isn’t a platform; it’s a way for me to participate in a conversation that’s been going on since before this blog began.

Please use the comments to shamelessly promote a fan project you’re working on. I’d love to plug it in this week’s Otaku Links. I’m pretty sure I’ll already have heard of, or perhaps already be a fan of, whatever you post. We’re all influencers, we’re all fans. This is a two way street.

Welcome to the Gunpla DB Beta!

Figures and Toys

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Here it is, the project that has been in the works since January, and which I’ve been cagey about since around Monday. Turns out this is an echo from two years ago, and I’m launching yet another Gunpla related venture.

This is Gunpla DB, short for Gunpla Database, an English-language search engine and repository for all existing Gunpla models. It checks Bandai Hobby and Amazon for the most accurate and up-to-date information on Gunpla models, their specs, how much they cost, and where they are currently available.

Well, that’s the pitch. We’re still in beta, so we have exactly 890 of the 1,300+ existing Gunpla created since 1980. And we need help before we can expand. Here’s how you can use the site now:

Soon we will also allow users to contribute their own information and images! For now, we’re relying on a database algorithm we’ve been perfecting for the better part of six months. Hence the sometimes-blurry images—thumbnails are way more reliable than high resolution.

This project would not have been possible without John, who first came up with the idea after yet again asking me to use my basic Japanese skills to search for a Gunpla in Bandai’s database, and wondering why there wasn’t a site that would allow him to do it himself. But the real MVP of the project was our developer, Crimm, who provided all the database know-how that you see here and put countless hours into the project. We hired Crimm to help us with our vision, but his tireless work honestly became the vision.

So please, check out our labor of love. Just be gentle, since it’s still a work in progress!

See you at Otakon 2016!

Anime

gunpla-shirt

About a decade ago, Otakon was the first convention I ever attended. On Thursday, I’m going back for what must be the seventh or eighth time.

If you’re looking for me at Otakon, I will being wearing the shirt in the photo one of the days. (Probably my other self-made Gunpla shirt another day, too.)

I will also be presenting on two panels:

Friday, 2 PM — Anime News Network Q&A

I’m on this panel because I am an ANN reviewer, and also I asked nicely on Twitter. I’ll let organizer Christophe Macdonald do the driving, but I’ll be ready to answer questions about writing about anime.

Sunday, 10:15 AM — 37 Years of Gundam Anime

This is John’s and my first panel together. Well, first one since we led a Hanafuda workshop at our college anime con back in 2009! We had a ton of fun building a massive slideshow that covers all the highlights (and lowlights) of Gundam shows over the last four decades.

I will also be distributing the 500-odd flyers I had made to advertise my latest business venture, the same one I hinted at on Monday. I, John, and our amazing developer, Crimm, have been working since February on an August launch, and it looks like we might just make it. Can’t wait to share more, soon!

On Saying No

Careers

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“We may be socialized to be friendly and accommodating, but nobody can do it all, and that’s why we need to protect our time by saying no, even if it’s hard.” I’m sure you’ve heard this a hundred times. That’s not what this essay is about. I’m perhaps too good at saying no.

In person, I’m really loud and outgoing. So much, in fact, that people don’t realize I’m an introvert until I tell them. But as much as I love other people, I say no to social obligations a lot. I know this makes me seem sort of chilly, but I recently told someone I keep a checklist of my friends and family members every month, and make sure to check each name off the list to make sure I’ve checked in with them recently. She was horrified that I treat my social connections “like a to-do list.” I’m just trying to stay in touch efficiently!

My work follows this same sort of “check-in” routine. Instead of scheduling myself silly trying to do all of the things at once, in February I showed you how I do a little of everything, a little at a time. The downside of a routine like this, however, is that it balances all my obligations equally. And when people invite me to take on exciting new work, it’s harder to accept than it should be.

Lately, I’ve been going down memory lane and thinking about some of the key times I said no, which could have opened up a different path in my career.

In 2013, I got an offer to work full time for Goboiano. Today, it’s the Buzzfeed of anime, but back then, it was an empty placeholder. They told me “we predict an incredible growth rate,” but I’ve heard that before, and declined. I had no inkling that in this one rare case, it would be true!

Also in 2013, I left my job at the Daily Dot. I started in 2012 as one of their first reporters. Startup life was hard. Since there weren’t very many of us, we all had to give 110% and work long hours. There were times I wrote five articles in a day, or 20 in a week! I burnt out, hard. After realizing I’d lost ten pounds purely from stress, I resigned. But today, the Daily Dot has 7 million Facebook fans and a team of dozens! I have given recommendations for journalist friends applying there, who love their jobs. I started at the beginning and didn’t stick around long enough to see the Daily Dot become something. If I had stuck around, that could have been me.

In 2015, I started writing for Forbes. In my first full month, July, I wrote an article for my Forbes blog nearly every day. But at the end of that month, when I got my paycheck of just $1,500, I decided to scale back to the bare minimum and focus my talents elsewhere. And yet, there are people who make six figures a year writing for Forbes out of pure tenacity. If I had decided to keep Forbes as my main gig, maybe I’d be making bank, too.

Also in 2015, I started interviewing for technology jobs just to see if I was still hirable. I turned down a full-time job before deciding on my part-time web developer job. If I had picked the former, I would have a large, steady source of income right now and, better yet, a clear divide between work and play—I’d work at the office and relax at home. If I hadn’t said no to a traditional job, would I be happier right now?

Right now, I am on the cusp of a major project launch that I’ve been working on all year (more on that Friday). For weeks, I’ve spent the majority of my free time in my apartment, combing through data and planning a launch schedule. I’ve invested a lot of time and money into this and I’m at the same point I was with these pivotal “no’s”: I have no idea if this will pay off. My “no’s” come from uncertainty, from mistrust, and ultimately, from fear. My fear of wasting my time on something that doesn’t work out is stronger than my fear of missing out.

The “no’s” in my life are what might have been. But the “yes’s” are the branches that formed who I am today. I said yes to journalism graduate school. I said yes to a job as a technology writer, which in turn reminded me that I’ve always liked tinkering with computers, and that I wanted to build those skills on a professional level. I said yes to learning Japanese at the advanced age of 27, and making it a priority to visit Japan. And of course, every time I write here, I’m saying that yes, writing regularly online is one of the most important things that I do, a sole consistent thing in my life over the past six, almost seven years!

Before I say yes to something on I ask myself:

  • Will this work be something I’d be proud to add to my portfolio?
  • Does this work factor into a subject or community that I care about?
  • Will this work teach me something new?

And before I say no, I ask myself:

  • Will this work negatively affect my health and mood?
  • Will this work keep me from working on something that truly matters to me?
  • Before I move on, have I learned all I can from this work?

Nobody knows the future. We never know if today’s decisions will lead to satisfaction or regret. The only thing we can do is move forward, and choose work that helps us do that.

Photo by Henry Burrows