Otaku Links: On Ice!!!

Otaku Links

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  • Is Yuri!!! on Ice hella gay or just playing at LGBT representation with “queer baiting?” And here’s a question I didn’t think of before reading Jacob’s article—does it matter? In What’s So Gay About Yuri!!! on Ice?, he goes over the veritable rainbow of ways queerness shows up in our favorite anime.
  • We Have Always Been Here, Motherfucker. As I get older, I increasingly appreciate these first-person essays from older fans about visibility. Games writer Monica Valentinelli writes about her life experience being a woman in gaming.

Screenshot via Yuri!!! on Ice

How to be professional in the age of Twitter

Careers

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Every now and then something punctures my personal narrative of being a giant screw-up. This time, it was being invited back to speak at my alma mater, the University of Mary Washington.

Despite my constant rambling about cartoons, I do have some of the hallmarks of a successful alum—the books, the bylines, and generally having my life together enough to send snail mail holiday cards every year. It’s a far cry from who I was in college. I don’t like the person I was back then. I was unhappy with myself, which made me selfish and cruel to people I cared about.  

Still, curiosity and flattery brought me back. I invited John and two of our college friends to come, and we arrived at the brand new campus building that none of us had ever been in, where I would be presenting on an alumni panel. At 29, I was the oldest alum there, from the class of 2009. It’s been 11 years since I moved into my freshman dorm. This was before that dorm had air conditioning! Believe me when I say that my college was founded in 1908 and looked like it for a long time. Now they have technology-forward buildings that remind me of the Apple Store and the dining hall, which used to give me heartburn, now serves quinoa.

The curriculum has also jolted into the future. Before I spoke, we listened to a panel of current UMW students who are taking advantage of a new program at the university called A Domain of One’s Own. Students can have their own dot coms without paying a cent, so the panel was about them showcasing their blogs and portfolio sites. The older students were using while job hunting and building online identities, which I thought was fantastically ahead of the curve. I wonder if having a program like that would have grounded me and helped me think more about my future instead of floundering around sort of depressed.

It’s certainly true today that my online identity is the entire reason I’m able to find work at all, which is also why i was invited to speak on this panel. The moderator sent us all the questions in advance, and being the introvert I am I decided to write them up so I wouldn’t trip over my words when I was on stage. I wanted to share my answers with you because this is exactly the kind of advice I’d love to give to aspiring otaku journalists just starting out.

This is a pretty long post for me, but the TL;DR version is that social media has blurred the line between professional and inappropriate. As a freelancer, every day is an interview while I look for potential new writing and web development gigs. Here’s how I make my extremely geeky online presence an advantage, not a hindrance, while I do that.

1. What is your most prominent digital identity?

Twitter. It started as a hobby, but now I have nearly 6,000 followers. I use it to broadcast my articles, blog posts, and web design projects, along with anything my friends are working on that I’d like to amplify. I recently lost access to my Twitter account due to a technical issue, and the most helpless feeling was knowing that usually if I want to access my audience to let them know I need help/amplification in some way, I tweet them.

a. Is it your website or your social media account ( e.g. LinkedIn, Twitter) why or why not?

In a perfect world, my blog would be my primary online identity, but there’s an extra wrinkle with blogs—you have to tell your audience to meet you halfway. With social media, you are showing up on your audience’s doorstep, where they already are.

1. Do you have different accounts for different audiences/purposes? 

I used to. Ever since I was at UMW, I’ve been interested in Japanese anime to the point where it’s a major part of my identity that influences which jobs I take. When I was less experienced in my field, I tried to maintain a more neutral online presence to keep from scaring off potential employers. Now, I’d rather work for employers who hire me because of my interests. I recently designed a website for a Japanese pop culture company. I have been hired to write about Japanese videogames and comics specifically. So I make sure that’s on my calling card.

2. What decisions did you make when creating or tailoring your personal websites or your different social media accounts?

Control is very important to me online. With social media, you’re in somebody else’s walled garden that can be altered or deleted at any time. So I’ve always paid for hosting and domain names and coded my own websites.

3. Did you have these digital identities as a student at UMW? Or did you begin to create them, or start thinking about creating them while at UMW?

Yes! I was required to have a WordPress site for several of my classes at UMW, so I began getting really familiar with the software back then. My professors encouraged my coding customization, and that’s probably one of the reasons I work as a WordPress developer today.

4. Have you deleted any accounts? If so, which and why?

Never. Since I work as a freelance technology journalist, it’s important for me to first, be reachable in a number of ways and second, be fluent. I am a little old for Snapchat, but I made myself download it and learn to use it because I want to be capable of communicating online no matter which way comes in vogue next. As a developer, I risk obsolescence if I am not constantly learning new technologies and updating my skills. I feel the same way about Internet and computer literacy.

5. Have you had to navigate any delicate situations and if so, would you be willing to share your story?

Where to start? Since I have written a lot about video games and I happen to be a woman, I am a grizzled veteran of getting insulted online. It started with my first online media internship at Kotaku, a former Gawker subsidiary, after I graduated here. I’ve been called fat, ugly, stupid, a hack, a fraud, needs a nose job, people have dug up my former address and other personal information. When I became a journalist who writes online, I gave up my right to privacy.

When this happens, there’s no way to win. You defend yourself by going dark, by refusing to engage, by continuing to produce content as if it doesn’t bother you at all.

To this day, I do not post photos of my friends online. I run an online business with my husband, and we cut off all photos above the neck. I’m also careful not to discuss future plans. I know I endanger myself, at least a little, by making myself visible online and I try very hard to make sure that my decisions don’t negatively impact my family and friends.

6. What role, if any, do you think your digital identity played into your post-undergrad life?

Listen, I wouldn’t have a job if it weren’t for Twitter. I was working retail before I got my first web development job—because my future employer liked my blog design. After that I got into online journalism because my editor sent me a tweet asking if I’d like to work for him. I get 75% of my clients through online connections—the rest is through friends of friends.

a. Did you promote them when applying for grad school or jobs?

I’ve always had something digital on my resume. For tech jobs it’s my GitHub profile and for writing jobs it’s my blog and portfolio.

b. Did any of your admissions counselors or employers comment on your online presence?

Absolutely. I feel bad for everyone else named Lauren Orsini because I dominate the Google results. It’s hard to miss, and it always comes up in interviews.

7. What advice would you give current undergraduate students in regards to cultivating a digital identity?

Start general, go niche. Become known for a few specific topics or categories. It takes a long time to get to know a person, so online, you need to become an abbreviation of yourself. Think of your website as your elevator pitch. If somebody can’t figure out what you’re about and why this site exists within five minutes, you’ve already lost them.

a. What must they do?

Have an internet presence outside of Facebook or LinkedIn, which are at the mercy of corporations. Have a personal blog or website you have total control of, and do your best to make it come up as the first result when somebody googles your name and expertise.

b. What shouldn’t they

Remember that people are watching. Don’t have tantrums about your employer on Twitter. Don’t burn bridges. Even in 2016, there are certain things professionals don’t do. Take it from me. I write about cartoons for Forbes, but I still conduct myself like somebody who is constantly interviewing for my next job.

Otaku Links: A time for butts

Otaku Links

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  • Other than that one piece, I’ve been doing technical support behind the scenes. I’m hoping to expand my web development clientele, so it’s good practice. Speaking of behind the scenes, Amelia wrote 5 Things I Learned by Starting a Feminist Anime Website for The Mary Sue about what the process has been like for her.
  • Otaku Journalist reader (and Japanator writer) Soul Tsukino has just published his novel, Cityscape Tokyo. Sounds like a story that will definitely appeal to anime fans.
  • I love Geek Girl Con and hope I have a chance to visit again, but until that day comes I’ll settle with Lisa Granshaw’s excellent interview with its founder, Jennifer K. Stuller. The two talk about the origins of the con and how it carves out a space for geek women and girls without being exclusive.
  • Miles at Crunchyroll just released this telling graph of favorite fall anime by state. I live right between Keijo!!!!!!!! and Haikyuu!! territory; there are exclamation points everywhere.

Photo of Ladybeard at Comiket via

I don’t like your favorite anime. So what?

Anime, Fandom

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I remember the first time I realized that not everyone, or even most people, liked my favorite anime.

I was in my college anime club. Every fall and spring, we chose four anime to watch for the rest of the semester, and we did this after viewing clips of about 25 different shows that club members provided. I brought my favorite at the time, a comedy musical called Nerima Daikon Brothers. I remember being so thrilled when people started laughing, and then crushed when I realized that they were laughing at it, not with it. And then confused. What?

This was in the late ’00s, and anime was going through a change. In that there was a lot more of it now, and we could all afford to be choosier.

Before college, I had such limited access to anime. I either had to save up money from my job at Coldstone Creamery—at the time, minimum wage was $5.15 an hour—or pirate shows using a service like Limewire. It took weeks to acquire either way. If you’re past a certain age you might also remember starting your .mov downloads before school and coming home to find them not even half complete. (This is not a defense of piracy. I feel awful about my old piracy days and have since purchased every title I ever pirated on DVD or Blu-ray.)

In the “good old days,” our anime selection was like the music selection you’ll find on a classic rock radio station. Since there weren’t resources (or interest) in bringing everything over from Japan, companies only localized shows they thought would sell well. The greatest hits of anime from the ‘80s and ‘90s, if you will. The Slayers, Revolutionary Girl Utena, Ramna ½, His and Her Circumstances—these were the titles of my adolescence. So in high school, it was easy to find people who had the same taste in anime as I did. First of all, there wasn’t much out there. Secondly, we thought all anime was good because it was. I mean, it’s all subject to taste but generally speaking, only the cream of the crop came to the US.

Then I went to college. I started attending anime conventions. If you waited until Sunday, you could get anime on DVD cheap in the Dealer’s Room. I discovered Nerima Daikon Brothers after swapping for it with a friend. I fell in love with it, especially the dub. It’s cheap but silly, catchy, and fun. Today its considerable social commentary—on such figures as Michael Jackson and former Prime Minister Junichiro Koizumi—is extremely dated, but I still put it on when I’m feeling down. It never doesn’t make me bust out laughing. (I remember once, in 2013 while I was planning my wedding, I ran into a crisis that seemed huge at the time, but now I don’t even remember. John came home to me sobbing and smiling and singing at the TV.)

What I’m trying to say is Nerima Daikon Brothers is a quirky show that makes me supremely happy, but is far from a masterpiece that has something for everybody in it.

Today, very few shows have widespread appeal. With such a big selection, they don’t need to! We used to recommend anime by saying that a show “has something for everyone” in it; today we recommend anime as a genre by instead saying there’s a show out there for each person. Nerima Daikon Brothers resonated with me, but certainly not the rest of my anime club. I recall that year having an extremely eclectic selection when all was said and done, including a tearjerker, Haibane Renmei, dark comedy Welcome to the NHK, and all-out action Gurren Lagann. The flipside was that because we all had to compromise, I ended up discovering a lot of shows that I wouldn’t have necessarily watched otherwise, and widely expanded my tastes. I started attending to watch Ouran High School Host Club and Death Note; I ended up with a taste for (at the time) brand new airing shows like Last Exile. I probably would never have become an anime reviewer if not for being a part of my college anime club.

That’s awesome, but it’s jarring how much this shift has changed the way I watch anime with my friends. Not being able to decide on an anime for club was one thing. Coming home on breaks and discovering that my eight closest friends all preferred different shows was another. Most recently, a friend I’ve been watching anime with since we were 12 told me she was surprised to see my Anime News Network essay on Cheer Boys!! being my worst show of the season. It had been her favorite. “What happened to us?” I exclaimed, remembering how as middle schoolers, there was no question that we had similar feelings about every anime we watched.

Having been friends with the same eight people for more than a decade now, our diverging tastes have become even more obvious. At first, I took it personally, like my friends and I were growing apart and didn’t like the same things anymore. It felt like rejection, the same way bringing Nerima Daikon Brothers into anime club felt like rejection.

When anime was hard to get, sharing my love of anime already made me a loner. Back then, revealing I even liked anime felt like a compromising confession, so I guess I tied a lot of my identity to the shows I liked. I see this among anime fans of my generation, who remember those early times. We tie our anime preferences to our identities. Saying “I don’t like your favorite anime” sounds a lot like, “wow, your taste is bad.” It sounds a lot like “I don’t like you.”

But I think that’s changing. Today, discovering a new anime is hardly different from discovering any other new show—they’re all on Netflix. The next generation of anime fans is massive because the selection is way bigger than I ever could have imagined. And that’s the most magical part: even with so many shows to choose from, there are still going to be a select few who pick Nerima Daikon Brothers—not because it’s one of the four VHS tapes our friend group has access to, but because something inside this goofy show resonates somehow.

I have so much to choose from that these days it’s hard to pick a favorite, though lately I’ve been partial to Natsume’s Book of Friends. Instead, it’s become far, far easier to differentiate the things I like from the things I don’t and, as a reviewer, be very vocal about it. I might even say I don’t like your favorite show. But it doesn’t mean I don’t like you.

Otaku Links: Behind the Dragon Ball

Otaku Links

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  • This Answerman column is purportedly about why Japan’s population is declining, but does a great job explaining how overseas audiences are beginning to influence anime projects.
  • By the way, I’ve been updating Gunpla 101 for a change. My painting tutorial is massive, took me two weeks, and includes about 20 photos of me working on every step of the process.

Painting by Fuzichoco. You can get a puzzle of this image at the Playing Grounded Kickstarter.